camin’cubator

In an artist’s or producer’s career, support can prove to be necessary, essential and conducive at different stages.

The term “emerging artist” often refers to a notion of age, which is a biased, even discriminatory view. This also concerns not only the artistic field, but many additional professions, such as production and distribution.

However, our experience shows that at different phases of a professional evolution, the notion of emergence is relevant:

• whether they are choreographers at the start of their career, whose needs are an orientation, the discovery of the profession, training and experimentation;
• experienced artists with the desire to change their way of working to move towards unknown forms and expression;
• artists facing administrative restructuring, without, often for economic reasons, a fuylly set up company in working order;
• migrating artists or producers finding themselves in a new socio-cultural and legal context, with a need for support and training in order to understand the surrounding cultural landscape;
• professionnals not considered as “young” in retraining or professional reorientation towards careers in the choreographic field at some point in their lives.