{"id":50835,"date":"2026-11-09T12:42:59","date_gmt":"2026-11-09T11:42:59","guid":{"rendered":"https:\/\/caminaktion.eu\/?page_id=50835"},"modified":"2026-11-09T14:46:40","modified_gmt":"2026-11-09T13:46:40","slug":"hypeocc-2026-11-10","status":"publish","type":"page","link":"https:\/\/caminaktion.eu\/en\/hypeocc-2026-11-10\/","title":{"rendered":"HYPE OCC | 10 November 2026"},"content":{"rendered":"\n<link rel=\"stylesheet\" href=\"https:\/\/fonts.googleapis.com\/css2?family=Barlow:wght@500;600;700;800&#038;display=swap\">\n<style>\n#cf10{--ink:#2b2a33;--ink2:#55525f;--line:#e2dfe9;--ac:#e8222d;--gold:#f7c548;font-family:Barlow,Arial,sans-serif;color:var(--ink);font-weight:500;line-height:1.5}\n#cf10 *{box-sizing:border-box}\nbody.page-id-50835 #cf10 *:not(svg):not(#x1):not(#x2),body.page-id-50835 #cf10:not(#x1):not(#x2){font-family:Barlow,Arial,sans-serif!important}\nbody.page-id-50835 #main-content .entry-title,body.page-id-50835 #main-content .container:before,body.page-id-50835 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summary{cursor:pointer;padding:11px 14px;font-size:12px;font-weight:800;text-transform:uppercase;letter-spacing:.1em;color:var(--ac);list-style:none;display:flex;justify-content:space-between}\n#cf10 summary::after{content:\"+\"}#cf10 details[open] summary::after{content:\"\u2013\"}\n#cf10 details div{padding:4px 14px 14px;font-size:14px;line-height:1.5;color:var(--ink2)}\n#cf10 details p{margin:0 0 10px}\n#cf10 .ig{display:flex;flex-direction:column;gap:8px;margin-top:20px}\n#cf10 .ig a{display:flex;align-items:center;gap:10px;text-decoration:none;color:var(--ink)!important;font-size:14px;font-weight:700}\n#cf10 .ig a i{display:grid;place-items:center;width:36px;height:36px;border:1px solid var(--line);color:var(--ac);flex:none}\n#cf10 .ig a:hover i{background:var(--ac);color:#fff}\n#cf10 .ig svg{width:19px;height:19px;fill:none;stroke:currentColor;stroke-width:1.7;stroke-linecap:round;stroke-linejoin:round}\n#cf10 .ig svg .f{fill:currentColor;stroke:none}\n#cf10 .cp{border-top:1px solid var(--line)}\n#cf10 .cp p{max-width:1160px;margin:0 auto;padding:22px 24px 56px;font-size:12px;color:var(--ink2)}\n@media(max-width:880px){#cf10 .g{grid-template-columns:1fr;gap:30px}}\n@media(max-width:600px){#cf10 .w,#cf10 .pc .w{padding-left:18px;padding-right:18px}#cf10 .cp p{padding-left:18px;padding-right:18px}}\n<\/style><div id=\"cf10\"><div class=\"w\"><a class=\"back\" href=\"https:\/\/caminaktion.eu\/agenda\/\">\u2190 HYPE OCC agenda<\/a><img decoding=\"async\" class=\"logo\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2026\/10\/hype-occ-ghetto-ligne.png\" alt=\"HYPE OCC\"><span class=\"cart\">Tue. 10 Nov. \u00b7 Agora CID \u00b7 Studio Bagouet<\/span><h1>Evening of 10 November<\/h1><div class=\"nav\"><a href=\"#p1\"><b>Reyalite n\u2019<\/b><span>Danielo Belcher &amp; Alma Douki<\/span><\/a><a href=\"#p2\"><b>Abode<\/b><span>Moses Olayinka Akintunde &amp; Danielo Belcher<\/span><\/a><a href=\"#p3\"><b>Out\/Side<\/b><span>Mwendwa Marchand, assisted by Carl Dh\u00e9lot <\/span><\/a><\/div><\/div><section class=\"pc\" id=\"p1\"><div class=\"w\"><h2>Reyalite n\u2019<\/h2><p class=\"art\">Danielo Belcher &amp; Alma Douki<\/p><p class=\"met\">Created 2026 | Occitanie premiere<\/p><div class=\"ph\"><img decoding=\"async\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2026\/11\/magma_collectif_anais_baseilhac_2026_bd-11-scaled.jpg\" alt=\"Reyalite n\u2019\"><\/div><div class=\"g\"><div class=\"tx\"><p class=\"in\"><strong><em>Reyalite n\u2019 <\/em>, which means \u201cour reality\u201d in Haitian Creole, is a choreographic duet that explores the relationship between two bodies rooted in a living cultural heritage, while questioning what is real, felt and shared in the moment of the dance.<\/strong><\/p><p>At the start of the piece, movement draws on Haitian <em>konpa<\/em>, more precisely its groove, as choreographic material. The movement qualities of this dance \u2014 fluidity, grounding, the swaying of the hips, the continuity of rhythm \u2014 feed the choreographic writing. This influence is also found in the relationship between the two performers: a relationship of closeness, listening and dialogue, where touch, gaze and shared weight create a dynamic that is both gentle and assertive.<\/p><p>The piece thus becomes a space of permanent negotiation, between tradition and transformation. Through this dance, <em>Reyalite n\u2019<\/em> questions how bodies carry cultural memory and how it transforms in contact with the other. The relationship evolves, sometimes grows fragile, strengthens elsewhere, revealing tensions, surges of trust and moments of fusion.<\/p><p><em>Reyalite n\u2019<\/em> is an inquiry into presence to the other and to oneself, a sensitive journey where dance becomes a language that shows the bond and the reality lived by two.<\/p><\/div><aside><h4>Credits<\/h4><div class=\"cr\"><div><span>Choreography<\/span>Danielo Belcher<\/div><div><span>Performers<\/span>Danielo Belcher &amp; Alma Douki<\/div><div><span>Music editing<\/span>Aliz\u00e9e Tastemain<\/div><\/div><details><summary>Biographies<\/summary><div><p><strong>Danielo Belcher<\/strong> is a dancer and choreographer. His work draws on the rhythms and culture of Haiti, notably konpa. In <em>Reyalite n\u2019<\/em>, he explores encounter and the relationship to the other through rhythm.<\/p><p>He began dancing at the age of seven in Haiti and trained for eleven years in Jacmel, where he studied classical, contemporary, jazz, Haitian folk dances and hiphop techniques.<\/p><p>In 2020 he joined Epsedanse in Montpellier, then the conservatoire of the Cit\u00e9 des Arts, where he earned his diploma in choreographic studies with honours. In Hamburg he took part in <em>I dance my Story<\/em>, a European choreographic project that gave rise to a documentary.<\/p><p>In 2024 he joined the CNDC in Angers, where he is preparing the national higher professional diploma for dancers and a degree in dance.<\/p><p><strong>Alma<\/strong> <strong>Douki<\/strong> began her approach to movement through various artistic practices such as painting, tennis, swimming and classical dance at the <strong>Russian Cultural Center in Tunis<\/strong>.<\/p><p>Before joining the higher school of the <strong>Cndc d\u2019Angers<\/strong> in 2024, she studied interior architecture, developing an interest in large structures, scenography and the relationship between space and body.<\/p><\/div><\/details><div class=\"ig\"><a href=\"https:\/\/www.instagram.com\/danielobelcher2104\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Danielo Belcher<\/a><\/div><\/aside><\/div><\/div><\/section><section class=\"pc\" id=\"p2\"><div class=\"w\"><h2>Abode<\/h2><p class=\"art\">Moses Olayinka Akintunde &amp; Danielo Belcher<\/p><p class=\"met\">Created 2025 | Montpellier premiere<\/p><div class=\"ph\"><img decoding=\"async\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2026\/10\/img_9794-crop-scaled.jpg\" alt=\"Abode\"><\/div><div class=\"g\"><div class=\"tx\"><p class=\"in\"><strong>In this duet, Moses Olayinka Akintunde (Nigeria) and Danielo Belcher (Haiti) invite the audience to witness an encounter \u2014 not only between two bodies in motion, but between two continents shaped by shared histories, ruptures and shared resilience.<\/strong><\/p><p>Rooted in their respective African lineages \u2014 one from the continent, the other from the diaspora \u2014 this piece becomes an intercultural crossroads. Through movement, the dancers explore how rhythm, resistance and identity cross oceans and generations, and how heritage feeds the projections of younger generations. It is a conversation made of gestures and silences, inherited memories and lived experiences.<\/p><p>Each dancer brings a singular point of view: Moses with the pulse of Lagos, in tune with contemporary Nigerian society; Danielo with the heritage of Haiti, born of revolution, of the first independent Black nation, and of survival. Together they exchange values, reveal cultural distinctions and shared heritage, while confronting their lived realities, their ruptures and their resilience. Subtly, they evoke social and liberation struggles, as well as perspectives towards a future yet to be built.<\/p><p>Their bodies speak of struggle and pride, of exile and return. A call emerges \u2014 to recognise the invisible threads that connect our stories, and to imagine new ways of standing, moving and rising \u2014 together.<\/p><p>This piece is not just a duet. It is a step towards a shared humanity.<\/p><\/div><aside><h4>Credits<\/h4><div class=\"cr\"><div><span>Choreography<\/span>Moses Olayinka Akintunde<\/div><div><span>Artistic collaboration<\/span>Danielo Belcher<\/div><div><span>Dancers<\/span>Moses Olayinka Akintunde &amp; Danielo Belcher<\/div><div><span>Delegated production<\/span>camin aktion<\/div><div><span>Support<\/span>Communaut\u00e9 de Communes du Grand Pic-Saint-Loup as part of the A Pas de Loup competition<\/div><\/div><details><summary>Biographies<\/summary><div><p><strong>Danielo Belcher<\/strong> is a dancer and choreographer. His work draws on the rhythms and culture of Haiti, notably konpa. In <em>Reyalite n\u2019<\/em>, he explores encounter and the relationship to the other through rhythm.<\/p><p>He began dancing at the age of seven in Haiti and trained for eleven years in Jacmel, where he studied classical, contemporary, jazz, Haitian folk dances and hiphop techniques.<\/p><p>In 2020 he joined Epsedanse in Montpellier, then the conservatoire of the Cit\u00e9 des Arts, where he earned his diploma in choreographic studies with honours. In Hamburg he took part in <em>I dance my Story<\/em>, a European choreographic project that gave rise to a documentary.<\/p><p>In 2024 he joined the CNDC in Angers, where he is preparing the national higher professional diploma for dancers and a degree in dance.<\/p><p><strong>Moses Olayinka Akintunde<\/strong>, born in Bariga, Lagos, and originally from Oyo State, blends dance and theatre. Trained in traditional Nigerian dances at the Footprints of David Arts Academy, he toured Europe for six years with the theatre project <em>SORRY<\/em>. A scholar of the Society for the Performing Arts in Nigeria (SPAN), he trained notably in contemporary, ballet, jazz and hiphop, then joined the SPAN Dance Company. He has collaborated with Wole Soyinka, Qudus Onikeku and Salia Sanou.<\/p><p>In 2023 he joined Epsedanse Montpellier and Anne-Marie Porras\u2019s company NID. An associate artist of camin aktion, he won first prize at the \u00c0 Pas de Loup choreographic competition. Since 2024 he has continued his training at the CNDC in Angers, where he is preparing a national higher professional diploma for dancers and a degree in dance for summer 2027.<\/p><p><strong>Alma<\/strong> <strong>Douki<\/strong> began her approach to movement through various artistic practices such as painting, tennis, swimming and classical dance at the <strong>Russian Cultural Center in Tunis<\/strong>.<\/p><p>Before joining the higher school of the <strong>Cndc d\u2019Angers<\/strong> in 2024, she studied interior architecture, developing an interest in large structures, scenography and the relationship between space and body.<\/p><\/div><\/details><div class=\"ig\"><a href=\"https:\/\/www.instagram.com\/akintunde_moses_\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Moses Olayinka Akintunde<\/a><a href=\"https:\/\/www.instagram.com\/danielobelcher2104\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Danielo Belcher<\/a><\/div><\/aside><\/div><\/div><\/section><section class=\"pc\" id=\"p3\"><div class=\"w\"><h2>Out\/Side<\/h2><p class=\"art\">Mwendwa Marchand, assisted by Carl Dh\u00e9lot | Compagnie Outside (Drancy)<\/p><p class=\"met\">Created 2026 | Montpellier premiere<\/p><div class=\"ph\"><img decoding=\"async\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2026\/11\/credit_duy-laurent-tran_2.jpeg\" alt=\"Out\/Side\"><\/div><div class=\"g\"><div class=\"tx\"><p class=\"in\"><strong>The company\u2019s first piece, <em>Out\/Side<\/em> explores the identity of dancehall and its representations on stages and in institutions, where this culture remains little present and little known. The choreographer Mwendwa, in collaboration with Carl, infuses it with their cultural and social singularities to renew its forms while remaining faithful to its essence.<\/strong><\/p><p>The title echoes the outside, that space where the two artists practised for a long time and where dancehall is lived to the fullest. Far from the limits of the studio and the mirror, dancing outdoors opens other paths to creativity: gestures are fed by the place, the elements and the people present.<\/p><p>From this attention to the environment comes an organic, incisive and inhabited dance, which renews the relationship to space and the gestural vocabulary of dancehall.<\/p><p>With <em>Out\/Side<\/em>, this experience extends onto the stage. How can the energy of the <em>outside<\/em> be kept in an <em>inside<\/em>, framed space? The choreography makes the stage a place of encounter and sharing, crossed by human, everyday sensations that resonate in everyone.<\/p><\/div><aside><h4>Credits<\/h4><div class=\"cr\"><div><span>Original idea<\/span>Mwendwa Marchand , assisted by Carl Dh\u00e9lot<\/div><div><span>Choreography &amp; performance<\/span>Carl Dh\u00e9lot, D\u00e9hiti Akato, Mwendwa Marchand<\/div><div><span>Music composition<\/span>Jordan John Hope, Awir Leon<\/div><div><span>Outside eye<\/span>Pierre-Claver Dexter Belleka<\/div><div><span>Costumes<\/span>Julie Rillos<\/div><div><span>Production<\/span>Cie Outside \u2013 Association Outsiders State<\/div><div><span>Coproduction<\/span>Collectif FAIR-E \/ CCN de Rennes et de Bretagne, La Chaufferie \/ Cie DCA \u2013 Philippe Decoufl\u00e9, Espace 1789 \u2013 Saint-Ouen, La Villette \/ IADU, Le Th\u00e9\u00e2tre Louis Aragon, Le R\u00e9seau SP.O.T.<\/div><div><span>Support<\/span>D\u00e9partement de Seine-Saint-Denis, La Place (LABO 2026), La briqueterie CDCN du Val-de-Marne, MMD de Bagneux, L\u2019Abri (Gen\u00e8ve)<\/div><\/div><details><summary>Biographies<\/summary><div><p><strong>Mwendwa Marchand<\/strong><br>Originally from Kenya, the dancer and choreographer blends dancehall, academic techniques and contemporary dance. A performer notably for Ousmane Sy, Amala Dianor and Sandrine Lescourant, she directs the company Outside, whose first creation is <em>Out\/Side<\/em>.<\/p><p><strong>Carl Dh\u00e9lot<\/strong><br>A French-Gabonese dancer, Carl discovered hiphop before specialising in dancehall and distinguishing himself in battles. A member of the collective Afrojamaddict and a teacher with the company R\u00e9volution, he contributes to passing on dancehall culture in Bordeaux.<\/p><p><strong>Dehiti Akato, aka Dhaf<\/strong><br>Of Ivorian and Nigerian origin, Dhaf trained in urban dances in Paris before specialising in dancehall in 2012. Noticed in international battles, he has collaborated with many artists and today passes on his practice in Switzerland.<\/p><\/div><\/details><div class=\"ig\"><a href=\"https:\/\/www.instagram.com\/marchmwen\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Mwendwa Marchand<\/a><a href=\"https:\/\/www.instagram.com\/outsiders_state\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Outsiders State<\/a><a href=\"https:\/\/www.instagram.com\/carl_reptincel_\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Carl Dh\u00e9lot<\/a><a href=\"https:\/\/www.instagram.com\/dhaflow_crazyshellingz\/\" target=\"_blank\" rel=\"noopener\"><i><svg viewBox=\"0 0 24 24\" aria-hidden=\"true\"><rect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"5\"><\/rect><circle cx=\"12\" cy=\"12\" r=\"4.2\"><\/circle><circle cx=\"17.2\" cy=\"6.8\" r=\"1.25\" class=\"f\"><\/circle><\/svg><\/i>Dehiti Akato<\/a><\/div><\/aside><\/div><\/div><\/section><div class=\"cp\"><p>Photo credits \u2014 <em>Reyalite n\u2019<\/em>: Anais Baseilhac \u00b7 <em>Abode<\/em>: Dirk Korell \u00b7 <em>Out\/Side<\/em>: Duy-Laurent Tran<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2190 HYPE OCC agendaTue. 10 Nov. \u00b7 Agora CID \u00b7 Studio Bagouet Evening of 10 November Reyalite n\u2019Danielo Belcher &amp; Alma DoukiAbodeMoses Olayinka Akintunde &amp; Danielo BelcherOut\/SideMwendwa Marchand, assisted by Carl Dh\u00e9lot Reyalite n\u2019 Danielo Belcher &amp; Alma Douki Created 2026 | Occitanie premiere Reyalite n\u2019 , which means \u201cour reality\u201d in Haitian Creole, is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-50835","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/50835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/comments?post=50835"}],"version-history":[{"count":4,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/50835\/revisions"}],"predecessor-version":[{"id":50865,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/50835\/revisions\/50865"}],"wp:attachment":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/media?parent=50835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}