[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.2″ _module_preset=”default” background_image=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blaster-seul.jpg” parallax=”on” max_width=”100%” module_alignment=”center” height=”1000px” max_height=”119px” max_height_tablet=”172px” max_height_phone=”119px” max_height_last_edited=”on|tablet” custom_padding=”0px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” module_alignment_tablet=”center” module_alignment_phone=”left” module_alignment_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blanc.png” title_text=”HYPE OCC blanc” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”4.27.2″ _module_preset=”default” background_enable_image=”off” custom_margin=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}”]<\/p>\n
Excerpts of a work in progress<\/span><\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”-50px||||false|false” custom_margin_tablet=”-50px||||false|false” custom_margin_phone=”-50px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”-30px||||false|false” global_colors_info=”{}”]<\/p>\n A solo by Virgile Dagneaux – Cie Virgule (Montpellier)<\/strong><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/Virgile-\u00a9-@lucasIanelli-scaled.jpg” title_text=”Virgile \u00a9 @lucasIanelli” show_in_lightbox=”on” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text content_tablet=”<\/p>\n Plier<\/em> is a solo performance currently in creation, combining dance, humor, and intimacy. Virgile Dagneaux, alone on stage, explores his body marked by time, retracing the effects of 20 years of practice.<\/span><\/p>\n %22Becoming aware of the death of my youth, the end of the beginning. More specifically, the end of the youth of my dancer’s body, which, with age, transforms… into something else. I like to attempt answering serious questions by offering joyful, poetic, and light resolutions. But then, how do we go from entropy to poetry?<\/span><\/p>\n Plier<\/em> takes the form of a solo performance, filled with choreography, gestural movements, humor, and intimacy. I reflect on what remains of my body, with its falling hair and stumbling knees. I patiently apply myself to mapping it, then inventorying its gestures: what remains of 20 years of practicing academic and contemporary dance, exploring rhythm through tap and percussive body work – but also touring and the cracks? How do I playfully modulate my movements through repetition, transgression, falls, distortion of time, exploring the grotesque, the sensual, and play? How do we move from the intimate to the collective?<\/p>\n I\u2019m almost 40, still sleepwalking, caught somewhere between my dreams and reality. Let our entropy be a celebration, abundant, funny, and filled with dancing gestures.%22<\/p>\n Virgile Dagneaux<\/p>\n \n ” content_phone=”<\/p>\n Plier<\/em> is a solo performance currently in creation, combining dance, humor, and intimacy. Virgile Dagneaux, alone on stage, explores his body marked by time, retracing the effects of 20 years of practice.<\/span><\/p>\n %22Becoming aware of the death of my youth, the end of the beginning. More specifically, the end of the youth of my dancer’s body, which, with age, transforms… into something else. I like to attempt answering serious questions by offering joyful, poetic, and light resolutions. But then, how do we go from entropy to poetry?<\/span><\/p>\n Plier<\/em> takes the form of a solo performance, filled with choreography, gestural movements, humor, and intimacy. I reflect on what remains of my body, with its falling hair and stumbling knees. I patiently apply myself to mapping it, then inventorying its gestures: what remains of 20 years of practicing academic and contemporary dance, exploring rhythm through tap and percussive body work – but also touring and the cracks? How do I playfully modulate my movements through repetition, transgression, falls, distortion of time, exploring the grotesque, the sensual, and play? How do we move from the intimate to the collective?<\/p>\n I\u2019m almost 40, still sleepwalking, caught somewhere between my dreams and reality. Let our entropy be a celebration, abundant, funny, and filled with dancing gestures.%22<\/p>\n Virgile Dagneaux<\/p>\n \n ” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Plier<\/em> is a solo performance currently in creation, combining dance, humor, and intimacy. Virgile Dagneaux, alone on stage, explores his body marked by time, retracing the effects of 20 years of practice.<\/span><\/p>\n “Becoming aware of the death of my youth, the end of the beginning. More specifically, the end of the youth of my dancer’s body, which, with age, transforms… into something else. I like to attempt answering serious questions by offering joyful, poetic, and light resolutions. But then, how do we go from entropy to poetry?<\/span><\/p>\n Plier<\/em> takes the form of a solo performance, filled with choreography, gestural movements, humor, and intimacy. I reflect on what remains of my body, with its falling hair and stumbling knees. I patiently apply myself to mapping it, then inventorying its gestures: what remains of 20 years of practicing academic and contemporary dance, exploring rhythm through tap and percussive body work – but also touring and the cracks? How do I playfully modulate my movements through repetition, transgression, falls, distortion of time, exploring the grotesque, the sensual, and play? How do we move from the intimate to the collective?<\/p>\n I\u2019m almost 40, still sleepwalking, caught somewhere between my dreams and reality. Let our entropy be a celebration, abundant, funny, and filled with dancing gestures.”<\/p>\n Virgile Dagneaux<\/p>\n [\/et_pb_text][et_pb_toggle title=”Company Virgule” title_tablet=”Company Virgule” title_phone=”Company Virgule” title_last_edited=”on|desktop” content_tablet=”<\/p>\n Virgule<\/b><\/a> is a choreographic company based in Montpellier. We create performances that oscillate between the poetic, the narrative, and the sensitive. We use hiphop dance, contemporary dance, as well as physical and object theatre to create %22moving%22 stories\u2014pieces that are meant to be accessible with multiple layers of meaning.<\/p>\n We offer various formats for non-traditional spaces, where performances and workshops intertwine, blending practice and sharing choreographic tools to guide the audience in receiving the works.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n ” content_phone=”Virgule<\/b><\/a> is a choreographic company based in Montpellier. We create performances that oscillate between the poetic, the narrative, and the sensitive. We use hiphop dance, contemporary dance, as well as physical and object theatre to create %22moving%22 stories\u2014pieces that are meant to be accessible with multiple layers of meaning.<\/p>\n We offer various formats for non-traditional spaces, where performances and workshops intertwine, blending practice and sharing choreographic tools to guide the audience in receiving the works.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n ” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” title_font=”|700|||||||” closed_title_font=”|700|||||||” body_font_size=”16px” body_font_size_tablet=”16px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” border_color_all=”#FF1D25″ global_colors_info=”{}”]<\/p>\n Virgule<\/b><\/a> is a choreographic company based in Montpellier. We create performances that oscillate between the poetic, the narrative, and the sensitive. We use hiphop dance, contemporary dance, as well as physical and object theatre to create “moving” stories\u2014pieces that are meant to be accessible with multiple layers of meaning.<\/p>\n We offer various formats for non-traditional spaces, where performances and workshops intertwine, blending practice and sharing choreographic tools to guide the audience in receiving the works.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_toggle][et_pb_toggle title=”Virgile Dagneaux” content_tablet=”<\/p>\n Virgile Dagneaux began his dance journey at 8 years old with tap dancing, later exploring various styles including classical, contemporary, jazz, and hip-hop.<\/span><\/p>\n His career as a performer has led him to work with artists such as Leela Petronnio, J\u00e9r\u00e9mie B\u00e9linguard, Kader Attou, Mathilde Monnier, Anne-Marie Porras, and Salia Sanou.<\/span><\/p>\n In 2015, he founded the Virgule company and has since created several works, including Pingouin<\/em> (2017), a danced children’s tale, which has been performed 200 times around the world, including on a basketball court in a favela in Argentina and at the Op\u00e9ra Bastille.<\/p>\n Monstres<\/em> (2018) is a unique duet with two exceptional dancers, exploring difference, strangeness, and coexistence. Les Monts Brumeux<\/em> (2022) tells the story of a man who rains, combining narrative bodies, farce, new magic, and object manipulation.<\/p>\n Since 2023, Virgile Dagneaux has been creating performances for non-dedicated spaces, including L’Emp\u00e9reur<\/em>, a revisit of Pingouin<\/em>, and ROYAUME(S)<\/em>, a versatile, humorous, poetic, and spectacular trio for all audiences. Outside his company, Virgile assists Kader Attou and Mourad Merzouki on Danser Casa<\/em> and co-choreographs El Ultimo Balle del Rey<\/em>, a ballet for 30 Argentine dancers. In 2024, he will choreograph Don’t Disturb<\/em> for the Kourtajme company.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n ” content_phone=”<\/p>\n Virgile Dagneaux began his dance journey at 8 years old with tap dancing, later exploring various styles including classical, contemporary, jazz, and hip-hop.<\/span><\/p>\n His career as a performer has led him to work with artists such as Leela Petronnio, J\u00e9r\u00e9mie B\u00e9linguard, Kader Attou, Mathilde Monnier, Anne-Marie Porras, and Salia Sanou.<\/span><\/p>\n In 2015, he founded the Virgule company and has since created several works, including Pingouin<\/em> (2017), a danced children’s tale, which has been performed 200 times around the world, including on a basketball court in a favela in Argentina and at the Op\u00e9ra Bastille.<\/p>\n Monstres<\/em> (2018) is a unique duet with two exceptional dancers, exploring difference, strangeness, and coexistence. Les Monts Brumeux<\/em> (2022) tells the story of a man who rains, combining narrative bodies, farce, new magic, and object manipulation.<\/p>\n Since 2023, Virgile Dagneaux has been creating performances for non-dedicated spaces, including L’Emp\u00e9reur<\/em>, a revisit of Pingouin<\/em>, and ROYAUME(S)<\/em>, a versatile, humorous, poetic, and spectacular trio for all audiences. Outside his company, Virgile assists Kader Attou and Mourad Merzouki on Danser Casa<\/em> and co-choreographs El Ultimo Balle del Rey<\/em>, a ballet for 30 Argentine dancers. In 2024, he will choreograph Don’t Disturb<\/em> for the Kourtajme company.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n ” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” title_font=”|700|||||||” closed_title_font=”|700|||||||” body_font_size=”16px” body_font_size_tablet=”16px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” border_color_all=”#FF1D25″ global_colors_info=”{}”]<\/p>\n Virgile Dagneaux began his dance journey at 8 years old with tap dancing, later exploring various styles including classical, contemporary, jazz, and hip-hop.<\/span><\/p>\n His career as a performer has led him to work with artists such as Leela Petronnio, J\u00e9r\u00e9mie B\u00e9linguard, Kader Attou, Mathilde Monnier, Anne-Marie Porras, and Salia Sanou.<\/span><\/p>\n In 2015, he founded the Virgule company and has since created several works, including Pingouin<\/em> (2017), a danced children’s tale, which has been performed 200 times around the world, including on a basketball court in a favela in Argentina and at the Op\u00e9ra Bastille.<\/p>\n Monstres<\/em> (2018) is a unique duet with two exceptional dancers, exploring difference, strangeness, and coexistence. Les Monts Brumeux<\/em> (2022) tells the story of a man who rains, combining narrative bodies, farce, new magic, and object manipulation.<\/p>\n Since 2023, Virgile Dagneaux has been creating performances for non-dedicated spaces, including L’Emp\u00e9reur<\/em>, a revisit of Pingouin<\/em>, and ROYAUME(S)<\/em>, a versatile, humorous, poetic, and spectacular trio for all audiences. Outside his company, Virgile assists Kader Attou and Mourad Merzouki on Danser Casa<\/em> and co-choreographs El Ultimo Balle del Rey<\/em>, a ballet for 30 Argentine dancers. In 2024, he will choreograph Don’t Disturb<\/em> for the Kourtajme company.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Cast & partners” content_tablet=”<\/p>\n Chor\u00e9graphie et danse<\/strong> | Virgile Dagneaux<\/p>\n Regard ext\u00e9rieur<\/strong> | Mathilde Monnier<\/p>\n Lumi\u00e8res<\/strong> | Lucas Prudhomme<\/p>\n Charg\u00e9e de Production<\/strong> | Marie Frignani<\/p>\n Production<\/strong> | Compagnie Virgule<\/p>\n Coproduction<\/strong> (en cours) | Th\u00e9\u00e2tre de Suresnes Jean Vilar ; Th\u00e9\u00e2tre Moli\u00e8re S\u00e8te ; SCOPIE ; Cie Mathilde Monnier<\/p>\n Soutiens – accueil studio<\/strong> (en cours) | Montpellier Danse ; Th\u00e9\u00e2tre Jacques Coeur ; Halle Tropisme<\/p>\n La compagnie Virgule est soutenue<\/strong> par la DRAC Occitanie, la R\u00e9gion Occitanie, Le d\u00e9partement de l’H\u00e9rauot, la M\u00e9tropole Montpellier M\u00e9diterran\u00e9e.<\/p>\n ” content_phone=”Chor\u00e9graphie et danse<\/strong> | Virgile Dagneaux<\/p>\n Regard ext\u00e9rieur<\/strong> | Mathilde Monnier<\/p>\n Lumi\u00e8res<\/strong> | Lucas Prudhomme<\/p>\n Charg\u00e9e de Production<\/strong> | Marie Frignani<\/p>\n Production<\/strong> | Compagnie Virgule<\/p>\n Coproduction<\/strong> (en cours) | Th\u00e9\u00e2tre de Suresnes Jean Vilar ; Th\u00e9\u00e2tre Moli\u00e8re S\u00e8te ; SCOPIE ; Cie Mathilde Monnier<\/p>\n Soutiens – accueil studio<\/strong> (en cours) | Montpellier Danse ; Th\u00e9\u00e2tre Jacques Coeur ; Halle Tropisme<\/p>\n La compagnie Virgule est soutenue<\/strong> par la DRAC Occitanie, la R\u00e9gion Occitanie, Le d\u00e9partement de l’H\u00e9rauot, la M\u00e9tropole Montpellier M\u00e9diterran\u00e9e.” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” title_font=”|700|||||||” closed_title_font=”|700|||||||” body_font_size=”16px” body_font_size_tablet=”16px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” border_color_all=”#FF1D25″ global_colors_info=”{}”]<\/p>\n Choreography & dance<\/strong>\u00a0| Virgile Dagneaux<\/p>\n Outside eye<\/strong>\u00a0| Mathilde Monnier<\/p>\n Lighting design<\/strong> | Lucas Prudhomme<\/p>\n Producer<\/strong> | Marie Frignani<\/p>\n Production<\/strong> | Company Virgule<\/p>\n Co-production<\/strong> (in progress) | Th\u00e9\u00e2tre de Suresnes Jean Vilar ; Th\u00e9\u00e2tre Moli\u00e8re S\u00e8te ; SCOPIE ; Cie Mathilde Monnier<\/p>\n Support – residencies<\/strong> (in progress) | Montpellier Danse ; Th\u00e9\u00e2tre Jacques Coeur ; Halle Tropisme<\/p>\n Company Virgule is supported by<\/strong> DRAC Occitanie, R\u00e9gion Occitanie, the County of H\u00e9rault, M\u00e9tropole Montpellier M\u00e9diterran\u00e9e.<\/p>\n [\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_tablet=”<\/p>\n Saturday, December 7<\/strong><\/span><\/p>\n 8:30 PM<\/strong><\/span><\/p>\nPlier (To bend)<\/strong><\/em><\/h3>\n