{"id":44476,"date":"2024-11-11T11:49:24","date_gmt":"2024-11-11T10:49:24","guid":{"rendered":"https:\/\/caminaktion.eu\/hypeocc-appel\/"},"modified":"2024-11-16T15:47:51","modified_gmt":"2024-11-16T14:47:51","slug":"hypeocc-appel","status":"publish","type":"page","link":"https:\/\/caminaktion.eu\/en\/hypeocc-appel\/","title":{"rendered":"HYPE OCC The Call to Dance in Senegal"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.2″ _module_preset=”default” background_image=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blaster-seul.jpg” parallax=”on” max_width=”100%” module_alignment=”center” height=”1000px” max_height=”119px” max_height_tablet=”172px” max_height_phone=”119px” max_height_last_edited=”on|tablet” custom_padding=”0px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” module_alignment_tablet=”center” module_alignment_phone=”left” module_alignment_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blanc.png” title_text=”HYPE OCC blanc” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”4.27.2″ _module_preset=”default” background_enable_image=”off” custom_margin=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” background_enable_image=”off” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Documentary film followed by an encounter<\/span><\/p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”-50px||||false|false” custom_margin_tablet=”-50px||||false|false” custom_margin_phone=”-50px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

The Call of Dance in Senegal<\/i><\/strong><\/h3>[\/et_pb_text][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”-30px||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

A documentary film by Diane Fardoun – Collective Screen Skin (2018)<\/strong><\/p>\n

French language or subtitles<\/em><\/strong><\/p>[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/307527315″ play_icon_color=”#FFFFFF” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text content_tablet=”

Aujourd\u2019hui, au S\u00e9n\u00e9gal, les danses traditionnelles perp\u00e9tu\u00e9es avec fiert\u00e9, c\u00f4toient les danses urbaines port\u00e9es par une jeunesse cr\u00e9ative et revendicatrice. Diff\u00e9rents courants artistiques foisonnent et s\u2019influencent, dans un monde de plus en plus ouvert et connect\u00e9.<\/p>\n

L\u2019Appel \u00e0 la Danse<\/em> est un voyage sensoriel, philosophique et m\u00e9ditatif port\u00e9 par plusieurs personnages d\u2019horizons aux antipodes qui vous ouvriront les portes de leurs mondes, de leurs \u00e2mes. D\u2019un ton immersif et brut, parfois mis en sc\u00e8ne, le film se compose de ces instants suspendus hors du temps o\u00f9 tout simplement la danse permet de se rassembler, de c\u00e9l\u00e9brer et de s\u2019\u00e9vader.<\/p>\n

Le corps en mouvement s\u2019exprime seul, en groupe, au centre culturel de Dakar, dans un battle de Krump, sur le bord de l\u2019oc\u00e9an, lors des s\u00e9ances de lutte s\u00e9n\u00e9galaise, au coeur d\u2019une c\u00e9r\u00e9monie initiatique en r\u00e9gion\u2026 Il refl\u00e8te l\u2019\u00e9tat de chacun, son histoire, son environnement, son ressenti, son intention. Le film c\u00e9l\u00e8bre la \u00ab l\u00e9gende personnelle \u00bb , la cr\u00e9ation de liens \u00e0 travers la danse, le d\u00e9passement de soi et le patrimoine culturel.<\/p>” content_phone=”


Aujourd\u2019hui, au S\u00e9n\u00e9gal, les danses traditionnelles perp\u00e9tu\u00e9es avec fiert\u00e9, c\u00f4toient les danses urbaines port\u00e9es par une jeunesse cr\u00e9ative et revendicatrice. Diff\u00e9rents courants artistiques foisonnent et s\u2019influencent, dans un monde de plus en plus ouvert et connect\u00e9.<\/span><\/p>\n

L\u2019Appel \u00e0 la Danse<\/em> est un voyage sensoriel, philosophique et m\u00e9ditatif port\u00e9 par plusieurs personnages d\u2019horizons aux antipodes qui vous ouvriront les portes de leurs mondes, de leurs \u00e2mes. D\u2019un ton immersif et brut, parfois mis en sc\u00e8ne, le film se compose de ces instants suspendus hors du temps o\u00f9 tout simplement la danse permet de se rassembler, de c\u00e9l\u00e9brer et de s\u2019\u00e9vader.<\/span><\/p>\n

Le corps en mouvement s\u2019exprime seul, en groupe, au centre culturel de Dakar, dans un battle de Krump, sur le bord de l\u2019oc\u00e9an, lors des s\u00e9ances de lutte s\u00e9n\u00e9galaise, au coeur d\u2019une c\u00e9r\u00e9monie initiatique en r\u00e9gion\u2026 Il refl\u00e8te l\u2019\u00e9tat de chacun, son histoire, son environnement, son ressenti, son intention. Le film c\u00e9l\u00e8bre la \u00ab l\u00e9gende personnelle \u00bb , la cr\u00e9ation de liens \u00e0 travers la danse, le d\u00e9passement de soi et le patrimoine culturel.<\/span><\/p>” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Today, in Senegal, traditional dances, proudly preserved, coexist with urban dances embraced by a creative and outspoken youth. Various artistic movements flourish and influence one another in an increasingly open and connected world.<\/p>\n

The Call of Dance in Senegal<\/em> is a sensory, philosophical, and meditative journey led by several characters from radically different backgrounds, who will open the doors to their worlds and souls. With an immersive and raw tone, sometimes staged or choreographed, the film captures these suspended moments outside of time where dance simply brings people together, celebrates, and allows for escape.<\/p>\n

The body in motion expresses itself alone, in groups, at the cultural center of Dakar, in a Krump battle, on the shores of the ocean, during Senegalese wrestling sessions, and at the heart of an initiation ceremony in the countryside. It reflects the state of each individual, their history, environment, emotions, and intentions. The film celebrates the “personal legend,” the creation of connections through dance, self-overcoming, and cultural heritage.<\/p>\n

More information here.<\/a><\/p>\n

<\/p>[\/et_pb_text][et_pb_toggle title=”Cast and production” content_tablet=”

On screen | <\/span><\/strong>Khoudia Tour\u00e9 ; <\/span>Cie Afreekanam : <\/span>Pi Lamine Sow, <\/span>Bakary Fall, <\/span>Pape Sangone Viera ; <\/span>Pierre Claver %22Dexter%22 Belleka ; <\/span>Moussa ; <\/span>Seny %22Calle de Guerre%22 (\u00e9curie Ndakarou) ; <\/span>M\u00e8re Absa ; <\/span>Charles Diagne ; <\/span>Germaine Acogny ; <\/span>Siaka Soppo Traor\u00e9 ; <\/span>Astou %22Aicha%22 Ndiaye ; <\/span>Hamdi %22Mustafa%22 Fall ; <\/span>Mama Cheikh Fall ; <\/span>Oumar %22Maestro%22 Badiane<\/span><\/p>\n

Production | <\/span><\/strong>Screenskin production – <\/span>Brahim Fardoun<\/span><\/p>\n

\u200b<\/span><\/span>Direction\/Artistic direction | <\/span><\/strong>Diane Fardoun<\/span><\/p>\n

Camera<\/b> | <\/span>Hugo Bembi<\/span><\/p>\n

\u200b<\/span><\/span><\/strong>Journalism\/Sound recording<\/strong>\u00a0| <\/span>Pierre Durosoy<\/span><\/p>\n

Original music\/Sound editing | <\/span><\/strong>Julien Villa<\/span><\/p>\n

Storyteller\/Voice-over | <\/span><\/strong>Thierno Diallo\u00a0<\/span><\/p>\n

Mixing\/Mastering Studio<\/strong>\u00a0| <\/span>Sodasound Julien Maurel<\/span><\/p>\n

Drivers<\/strong> | <\/span>Fallou Diagne, <\/span>Oumar Diagne<\/span><\/p>\n

Film crew assistants | <\/span><\/strong>Luisa Fernanda Hernandez, <\/span>Ama Dieye<\/span><\/p>\n

Post-Production laboratory | <\/span><\/strong>AP-prod Aurelien Plancher<\/span><\/p>\n

Color grading | <\/span><\/strong>Alexandra Pocquet<\/span><\/p>\n

Motion Design | <\/span><\/strong>Hanoh Szpira<\/span><\/p>\n

Graphic design | <\/span><\/strong>Vincent Martin<\/span><\/p>\n

Acknowledgments |<\/span><\/strong> Ulule donors<\/span><\/p>” content_phone=”

On screen | <\/span><\/strong>Khoudia Tour\u00e9 ; <\/span>Cie Afreekanam : <\/span>Pi Lamine Sow, <\/span>Bakary Fall, <\/span>Pape Sangone Viera ; <\/span>Pierre Claver %22Dexter%22 Belleka ; <\/span>Moussa ; <\/span>Seny %22Calle de Guerre%22 (\u00e9curie Ndakarou) ; <\/span>M\u00e8re Absa ; <\/span>Charles Diagne ; <\/span>Germaine Acogny ; <\/span>Siaka Soppo Traor\u00e9 ; <\/span>Astou %22Aicha%22 Ndiaye ; <\/span>Hamdi %22Mustafa%22 Fall ; <\/span>Mama Cheikh Fall ; <\/span>Oumar %22Maestro%22 Badiane<\/span><\/p>\n

Production | <\/span><\/strong>Screenskin production – <\/span>Brahim Fardoun<\/span><\/p>\n

\u200b<\/span><\/span>Direction\/Artistic direction | <\/span><\/strong>Diane Fardoun<\/span><\/p>\n

Camera<\/b> | <\/span>Hugo Bembi<\/span><\/p>\n

\u200b<\/span><\/span><\/strong>Journalism\/Sound recording<\/strong>\u00a0| <\/span>Pierre Durosoy<\/span><\/p>\n

Original music\/Sound editing | <\/span><\/strong>Julien Villa<\/span><\/p>\n

Storyteller\/Voice-over | <\/span><\/strong>Thierno Diallo\u00a0<\/span><\/p>\n

Mixing\/Mastering Studio<\/strong>\u00a0| <\/span>Sodasound Julien Maurel<\/span><\/p>\n

Drivers<\/strong> | <\/span>Fallou Diagne, <\/span>Oumar Diagne<\/span><\/p>\n

Film crew assistants | <\/span><\/strong>Luisa Fernanda Hernandez, <\/span>Ama Dieye<\/span><\/p>\n

Post-Production laboratory | <\/span><\/strong>AP-prod Aurelien Plancher<\/span><\/p>\n

Color grading | <\/span><\/strong>Alexandra Pocquet<\/span><\/p>\n

Motion Design | <\/span><\/strong>Hanoh Szpira<\/span><\/p>\n

Graphic design | <\/span><\/strong>Vincent Martin<\/span><\/p>\n

Acknowledgments |<\/span><\/strong> Ulule donors<\/span><\/p>” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” title_font=”|700|||||||” closed_title_font=”|700|||||||” body_font_size=”16px” hover_enabled=”0″ body_font_size_tablet=”16px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” border_color_all=”#FF1D25″ global_colors_info=”{}” sticky_enabled=”0″]

On screen | <\/span><\/strong>Khoudia Tour\u00e9 ; <\/span>Cie Afreekanam : <\/span>Pi Lamine Sow, <\/span>Bakary Fall, <\/span>Pape Sangone Viera ; <\/span>Pierre Claver “Dexter” Belleka ; <\/span>Moussa ; <\/span>Seny “Calle de Guerre” (\u00e9curie Ndakarou) ; <\/span>M\u00e8re Absa ; <\/span>Charles Diagne ; <\/span>Germaine Acogny ; <\/span>Siaka Soppo Traor\u00e9 ; <\/span>Astou “Aicha” Ndiaye ; <\/span>Hamdi “Mustafa” Fall ; <\/span>Mama Cheikh Fall ; <\/span>Oumar “Maestro” Badiane<\/span><\/p>\n

Production | <\/span><\/strong>Screenskin production – <\/span>Brahim Fardoun<\/span><\/p>\n

\u200b<\/span><\/span>Direction\/Artistic direction | <\/span><\/strong>Diane Fardoun<\/span><\/p>\n

Camera<\/b> | <\/span>Hugo Bembi<\/span><\/p>\n

\u200b<\/span><\/span><\/strong>Journalism\/Sound recording<\/strong>\u00a0| <\/span>Pierre Durosoy<\/span><\/p>\n

Original music\/Sound editing | <\/span><\/strong>Julien Villa<\/span><\/p>\n

Storyteller\/Voice-over | <\/span><\/strong>Thierno Diallo\u00a0<\/span><\/p>\n

Mixing\/Mastering Studio<\/strong>\u00a0| <\/span>Sodasound Julien Maurel<\/span><\/p>\n

Drivers<\/strong> | <\/span>Fallou Diagne, <\/span>Oumar Diagne<\/span><\/p>\n

Film crew assistants | <\/span><\/strong>Luisa Fernanda Hernandez, <\/span>Ama Dieye<\/span><\/p>\n

Post-Production laboratory | <\/span><\/strong>AP-prod Aurelien Plancher<\/span><\/p>\n

Color grading | <\/span><\/strong>Alexandra Pocquet<\/span><\/p>\n

Motion Design | <\/span><\/strong>Hanoh Szpira<\/span><\/p>\n

Graphic design | <\/span><\/strong>Vincent Martin<\/span><\/p>\n

Acknowledgments |<\/span><\/strong> Ulule donors<\/span><\/p>[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”220px||||false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|desktop” custom_padding=”10px|10px|10px|10px|false|false” hover_enabled=”0″ border_width_all=”1px” border_color_all=”#FF1D25″ global_colors_info=”{}” sticky_enabled=”0″]

Sunday, December 8<\/strong><\/span><\/p>\n

8:00 PM<\/strong><\/span><\/p>\n

Cin\u00e9ma Utopia<\/strong><\/span><\/p>\n

The screening is followed by a discussion with dancers from the African diaspora.<\/strong><\/span><\/strong><\/span><\/p>\n

Tickets available at the Cin\u00e9ma Utopia box office, more information here<\/a>. Don\u2019t forget the solidarity ticket: buy one ticket to offer a ticket to young people in precarious situations.<\/span><\/strong><\/p>\n

<\/strong><\/span><\/p>[\/et_pb_text][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/PMR-dynamique-noir.png” title_text=”PMR dynamique noir” _builder_version=”4.27.2″ _module_preset=”default” max_width=”20%” global_colors_info=”{}”][\/et_pb_image][et_pb_text content_tablet=”

Connected programs<\/strong><\/span><\/p>\n

Urban dance 2.0<\/strong><\/em><\/a>, a continuous screening Saturday December 6 up from 5 PM at Th\u00e9\u00e2tre d’O.<\/span><\/p>\n

Dances and struggles<\/span><\/em><\/a><\/span>, <\/span><\/em><\/strong>a dance conference by Bouziane Bouteldja, Sunday December 8 at 2:30 PM at Halle Tropisme. <\/span><\/p>\n

Introduction to Afro-Urban dance styles <\/a><\/strong>with Siaka Coulibaly, Sunday December 8 from 10 AM to 11:30 AM at Halle Tropisme.<\/span>
<\/span><\/p>\n

 <\/p>” content_phone=”

Connected programs<\/strong><\/span><\/p>\n

Urban dance 2.0<\/strong><\/em><\/a>, a continuous screening Saturday December 6 up from 5 PM at Th\u00e9\u00e2tre d’O.<\/span><\/p>\n

Dances and struggles<\/span><\/em><\/a><\/span>, <\/span><\/em><\/strong>a dance conference by Bouziane Bouteldja, Sunday December 8 at 2:30 PM at Halle Tropisme. <\/span><\/p>\n

Introduction to Afro-Urban dance styles <\/a><\/strong>with Siaka Coulibaly, Sunday December 8 from 10 AM to 11:30 AM at Halle Tropisme.<\/span>
<\/span><\/p>\n

 <\/p>” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” background_color=”#FF9F85″ custom_margin=”||||false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|desktop” custom_padding=”10px|10px|10px|10px|false|false” hover_enabled=”0″ border_width_all=”1px” border_color_all=”#FF1D25″ global_colors_info=”{}” content__hover_enabled=”on|desktop” content__hover=”

A voir aussi\u2026<\/strong><\/span><\/p>\n

Danses urbaines 2.0<\/strong><\/em><\/a>, une projection en continu samedi 6 d\u00e9cembre \u00e0 partir de 17h au Th\u00e9\u00e2tre d’O.<\/span><\/p>\n

Des danses et des<\/span><\/em><\/a> luttes<\/a>, <\/span><\/em><\/strong>une conf\u00e9rence dans\u00e9e de Bouziane Bouteldja, dimanche 8 d\u00e9cembre \u00e0 14:30 \u00e0 la Halle Tropisme. <\/span><\/p>\n

Atelier d’initiation<\/span> aux danses afro-urbaines<\/a> <\/strong>avec Siaka Coulibaly, dimanche 8 d\u00e9cembre 10:00-11:30 \u00e0 la Halle Tropisme.<\/span>
<\/span><\/p>\n

<\/strong><\/span><\/p>” sticky_enabled=”0″]

Connected programs<\/strong><\/span><\/p>\n

Urban dance 2.0<\/strong><\/em><\/a>, a continuous screening Saturday December 6 up from 5 PM at Th\u00e9\u00e2tre d’O.<\/span><\/p>\n

Dances and struggles<\/span><\/em><\/a><\/span>, <\/span><\/em><\/strong>a dance conference by Bouziane Bouteldja, Sunday December 8 at 2:30 PM at Halle Tropisme. <\/span><\/p>\n

Introduction to Afro-Urban dance styles <\/a><\/strong>with Siaka Coulibaly, Sunday December 8 from 10 AM to 11:30 AM at Halle Tropisme.<\/span>
<\/span><\/p>\n

<\/strong><\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

A creative documentary film offering intimate portraits of individuals who dance freely, sharing their stories and their worlds with us.<\/p>\n","protected":false},"author":1,"featured_media":44478,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"HYPE OCC : The Call to Dance","_seopress_titles_desc":"A creative documentary film offering intimate portraits of individuals who dance freely, sharing their stories and their worlds with us.","_seopress_robots_index":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-44476","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/comments?post=44476"}],"version-history":[{"count":3,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44476\/revisions"}],"predecessor-version":[{"id":45267,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44476\/revisions\/45267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/media\/44478"}],"wp:attachment":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/media?parent=44476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}