{"id":44452,"date":"2024-11-10T13:51:17","date_gmt":"2024-11-10T12:51:17","guid":{"rendered":"https:\/\/caminaktion.eu\/hypeocc-luttes\/"},"modified":"2024-11-30T15:41:59","modified_gmt":"2024-11-30T14:41:59","slug":"hypeocc-luttes","status":"publish","type":"page","link":"https:\/\/caminaktion.eu\/en\/hypeocc-luttes\/","title":{"rendered":"HYPE OCC Dances and struggles"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; background_image=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blaster-seul.jpg&#8221; parallax=&#8221;on&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; height=&#8221;1000px&#8221; max_height=&#8221;119px&#8221; max_height_tablet=&#8221;172px&#8221; max_height_phone=&#8221;119px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;0px||||false|false&#8221; custom_padding_tablet=&#8221;0px||||false|false&#8221; custom_padding_phone=&#8221;0px||||false|false&#8221; module_alignment_tablet=&#8221;center&#8221; module_alignment_phone=&#8221;left&#8221; module_alignment_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blanc.png&#8221; title_text=&#8221;HYPE OCC blanc&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; background_enable_image=&#8221;off&#8221; custom_margin=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; background_enable_image=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-size: medium;\">Dance conference (participatory)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-50px||||false|false&#8221; custom_margin_tablet=&#8221;-50px||||false|false&#8221; custom_margin_phone=&#8221;-50px||||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><em><strong>Dances and struggles <\/strong><\/em><\/h3>\n<h3><strong>\u2026followed by an open dance floor with DJ S!D!<\/strong><\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-30px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>A performative dance conference by Bouziane Bouteldja | Cie Dans6T (Tarbes)<\/strong><\/p>\n<p><span style=\"color: #ff1d25;\"><strong>Performance on regional tour with the HYPE OCC network \u00a0<a href=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-en-reseau-scaled.jpeg\"><img alt=\"\" alt=\"\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-en-reseau-300x38.jpeg\" width=\"261\" height=\"33\" alt=\"\" class=\"wp-image-44256 alignnone size-medium\" \/><\/a><\/strong><\/span><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/22102024-DSCF0884-Avec-accentuation-Bruit-light-scaled.jpeg&#8221; title_text=&#8221;22102024-DSCF0884-Avec accentuation-Bruit light&#8221; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_toggle title=&#8221;Participate at the performance!&#8221; open_toggle_text_color=&#8221;#FFFFFF&#8221; open_toggle_background_color=&#8221;#FF1D25&#8243; closed_toggle_text_color=&#8221;#FFFFFF&#8221; closed_toggle_background_color=&#8221;#FF1D25&#8243; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; title_text_color=&#8221;#FFFFFF&#8221; title_font=&#8221;|700|||||||&#8221; title_text_align=&#8221;center&#8221; body_text_color=&#8221;#FFFFFF&#8221; body_line_height=&#8221;1.5em&#8221; background_color=&#8221;#FFFFFF&#8221; animation_style=&#8221;roll&#8221; body_font_size_tablet=&#8221;&#8221; body_font_size_phone=&#8221;17px&#8221; body_font_size_last_edited=&#8221;on|phone&#8221; border_color_all=&#8221;#FF1D25&#8243; box_shadow_style=&#8221;preset1&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Before the conference, to recreate the atmosphere and group dynamic that exist around the dances being explored, the Dans6T Dance Company is offering a workshop for amateur dancers to participate in the conference alongside the company\u2019s performers.<\/p>\n<p>A dancer from the company will teach steps from the different dance styles and short choreographic phrases to volunteers:<\/p>\n<p><strong>Saturday, December 7 from 12:00 PM to 5:30 PM at Th\u00e9\u00e2tre d&#8217;O, with a lunch break \u2013 and as a bonus, you&#8217;ll receive an invitation to an evening performance at Th\u00e9\u00e2tre d&#8217;O!!!<\/strong><\/p>\n<div class=\"flex max-w-full flex-col flex-grow\">\n<div data-message-author-role=\"assistant\" data-message-id=\"27e06f25-2f99-4a79-8288-5926527636b2\" dir=\"auto\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words [.text-message+&amp;]:mt-5\" data-message-model-slug=\"gpt-4o-mini\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p><strong><a href=\"https:\/\/caminaktion.eu\/en\/events\/hypeocc-danser\/\">To participate, register here.<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_toggle][et_pb_text content_tablet=&#8221;<\/p>\n<p>\u00ab J\u2019ai la chance depuis plusieurs ann\u00e9es de pouvoir voyager et de faire des rencontres au travers de la danse, ce langage universel. Je me rends compte au travers du mouvement \u00e0 quel point la danse est inn\u00e9e chez tous.<\/p>\n<p>Fort de la conf\u00e9rence <em>Danse &#038; Pens\u00e9es<\/em>, qui par le corps et le d\u00e9bat permettait d\u2019aborder des sujets tels que l\u2019identit\u00e9, les discriminations et le vivre ensemble, je souhaite continuer mon travail de recherche sur la danse et son r\u00f4le central (souvent de mani\u00e8re inconsciente) dans nos soci\u00e9t\u00e9s et en faire une nouvelle conf\u00e9rence dans\u00e9e.<\/p>\n<p>L\u2019id\u00e9e est de raconter l\u2019histoire de quelques danses qui sont n\u00e9es \u00e0 l\u2019occasion de luttes sociales ou de lib\u00e9ration mais aussi des danses qui sont n\u00e9es gr\u00e2ce au d\u00e9placement et \u00e0 la rencontre entre les gens.<\/p>\n<p>L&#8217;objectif est de rappeler le r\u00f4le des danses dans la soci\u00e9t\u00e9 car elles ont un sens trop souvent m\u00e9connu ou oubli\u00e9 : la lutte contre les discriminations, le f\u00e9minisme, le vivre ensemble, l&#8217;\u2019\u00e9mancipation, l\u2019acceptation de son corps. \u00bb<\/p>\n<p style=%22text-align: right;%22>Bouziane Bouteldja<\/p>\n<p>Dans beaucoup de cultures, toutes les \u00e9tapes de la vie des \u00eatres humains sont parcourues par la danse, et si chaque civilisation a son propre rituel pour exprimer la naissance ou la mort, on peut retrouver de nombreux points communs entre chacune.<\/p>\n<p>C\u2019est souvent dans la rencontre entre les peuples et dans les \u00e9changes culturels que de nouvelles formes de danses ont \u00e9merg\u00e9s. Par ailleurs, aujourd\u2019hui, par le biais des r\u00e9seaux sociaux, toutes les danses circulent en temps r\u00e9el d\u2019un continent \u00e0 l\u2019autre.<\/p>\n<p>Les danses, comme langage et moyen d&#8217;expression universel, porteuses de valeurs de libert\u00e9, \u00e9galit\u00e9, fraternit\u00e9, diversit\u00e9 et d&#8217;inclusivit\u00e9, ont aussi \u00e9merg\u00e9 au cours de grandes luttes sociales et politiques et ont accompagn\u00e9, pacifiquement, des mouvements communautaires et citoyens dans leurs combats.<\/p>\n<p>Qu&#8217;il s&#8217;agisse de danses comme le Pantsula, n\u00e9 dans les townships des communaut\u00e9s noires d&#8217;Afrique du Sud sous l&#8217;Apartheid luttant contre la s\u00e9gr\u00e9gation raciale, du Voguing n\u00e9 dans la communaut\u00e9 gay-latino des \u00c9tats-Unis combattant l&#8217;homophobie, elles permettent de se replonger dans les grandes crises politiques et soci\u00e9tales de notre monde et de nous faire ressentir par le corps ces combats.<\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p style=%22font-weight: 600;%22><span style=%22font-size: medium;%22><br \/>\u00ab J\u2019ai la chance depuis plusieurs ann\u00e9es de pouvoir voyager et de faire des<br \/>rencontres au travers de la danse, ce langage universel. Je me rends compte<br \/>au travers du mouvement \u00e0 quel point la danse est inn\u00e9e chez tous.<\/span><\/p>\n<p style=%22font-weight: 600;%22><span style=%22font-size: medium;%22>Fort de la conf\u00e9rence <em>Danse &#038; Pens\u00e9es<\/em>, qui par le corps et le d\u00e9bat<br \/>permettait d\u2019aborder des sujets tels que l\u2019identit\u00e9, les discriminations et le<br \/>vivre ensemble, je souhaite continuer mon travail de recherche sur la danse<br \/>et son r\u00f4le central (souvent de mani\u00e8re inconsciente) dans nos soci\u00e9t\u00e9s et en<br \/>faire une nouvelle conf\u00e9rence dans\u00e9e.<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>L\u2019id\u00e9e est de raconter l\u2019histoire de quelques danses qui sont n\u00e9es \u00e0 l\u2019occasion de luttes sociales ou de lib\u00e9ration mais aussi des danses qui sont n\u00e9es gr\u00e2ce au d\u00e9placement et \u00e0 la rencontre entre les gens.<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>L&#8217;objectif est de rappeler le r\u00f4le des danses dans la soci\u00e9t\u00e9 car elles ont un sens trop souvent m\u00e9connu ou oubli\u00e9 : la lutte contre les discriminations, le f\u00e9minisme, le vivre ensemble, l\u2019\u00e9mancipation, l\u2019acceptation de son corps. \u00bb<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium; text-align: right;%22>Bouziane Bouteldja<\/span><\/p>\n<p style=%22font-weight: 400;%22>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>Dans beaucoup de cultures, toutes les \u00e9tapes de la vie des \u00eatres humains sont parcourues par la danse, et si chaque civilisation a son propre rituel pour exprimer la naissance ou la mort, on peut retrouver de nombreux points communs entre chacune.<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>C\u2019est souvent dans la rencontre entre les peuples et dans les \u00e9changes culturels que de nouvelles formes de danses ont \u00e9merg\u00e9s. Par ailleurs, aujourd\u2019hui, par le biais des r\u00e9seaux sociaux, toutes les danses circulent en temps r\u00e9el d\u2019un continent \u00e0 l\u2019autre.<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>Les danses, comme langage et moyen d&#8217;expression universel, porteuses de valeurs de libert\u00e9, \u00e9galit\u00e9, fraternit\u00e9, diversit\u00e9 et d&#8217;inclusivit\u00e9, ont aussi \u00e9merg\u00e9 au cours de grandes luttes sociales et politiques et ont accompagn\u00e9, pacifiquement, des mouvements communautaires et citoyens dans leurs combats.<\/span><\/p>\n<p style=%22font-weight: 400;%22><span style=%22font-size: medium;%22>Qu&#8217;il s&#8217;agisse de danses comme le Pantsula, n\u00e9 dans les townships des communaut\u00e9s noires d&#8217;Afrique du Sud sous l&#8217;Apartheid luttant contre la s\u00e9gr\u00e9gation raciale, du Voguing n\u00e9 dans la communaut\u00e9 gay-latino des \u00c9tats-Unis combattant l&#8217;homophobie, elles permettent de se replonger dans les grandes crises politiques et soci\u00e9tales de notre monde et de nous faire ressentir par le corps ces combats.<\/span><\/p>\n<p style=%22font-weight: 400;%22>\n<p style=%22font-weight: 400;%22>\n<p style=%22font-weight: 400;%22>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"font-weight: 600;\"><span style=\"font-size: 20px; font-weight: 600;\">&#8220;I have been fortunate for several years to be able to travel and make connections through dance, this universal language. I realize through movement how dance is innate in everyone. Building on the <em>Dance &amp; Thoughts<\/em> conference, which used both the body and discussion to address topics such as identity, discrimination, and living together, I wish to continue my research on dance and its central (often unconscious) role in our societies and create a new danced conference.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>The idea is to tell the story of some dances that were born out of social struggles of liberation, but also dances that emerged thanks to movement and encounters between people.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>The goal is to remind everyone of the role dances play in society, as they carry meanings that are often unknown or forgotten: fighting against discrimination, in favor of feminism, living together, emancipation, and accepting one&#8217;s body.&#8221;<\/span><\/p>\n<p style=\"font-weight: 400; text-align: right;\">Bouziane Bouteldja<\/p>\n<p style=\"font-weight: 400;\">In many cultures, every stage of human life is marked by dance. While each civilization has its own ritual to express birth or death, there are many commonalities between them. It is often through encounters between people and cultural exchanges that new forms of dance have emerged. Today, through social media, all dances circulate in real-time from one continent to another.<\/p>\n<p style=\"font-weight: 400;\">Dances, as a universal language and form of expression, carrying values of freedom, equality, fraternity, diversity, and inclusivity, have also emerged through significant social and political struggles, peacefully accompanying community and civil movements in their fights.<\/p>\n<p style=\"font-weight: 400;\">Whether it&#8217;s dances like Pantsula, born in the townships of Black South African communities during Apartheid fighting against racial segregation, or Voguing, born in the gay-Latino community of the United States battling homophobia, these dances allow us to revisit the major political and societal crises of our world and experience these struggles through the body.<\/p>\n<p>[\/et_pb_text][et_pb_video src=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/Des-danses-et-des-luttes.mp4&#8243; image_src=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/Foix.png&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-30px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_toggle title=&#8221;Company Dans6T&#8221; content_tablet=&#8221;<\/p>\n<p><a href=%22https:\/\/dans6t.com%22><strong>Dans6T<\/strong><\/a>, c\u2019est d\u2019abord une histoire n\u00e9e d\u2019une passion pour la danse hiphop, celle du jeune Bouziane qui d\u00e9couvre le bboying (%22breakdance%22) \u00e0 l\u2019occasion d\u2019un stage avec Tayeb Benamara.<\/p>\n<p>De cette passion va \u00e9clore en 2001 un centre des danses hiphop, singulier dans le paysage des \u00e9coles de Tarbes puisqu\u2019il est d\u00e9di\u00e9  \u00e0 ces esth\u00e9tiques, mais surtout par son engagement dans les quartiers en consid\u00e9rant la danse comme outil d\u2019inclusion sociale.<\/p>\n<p>Parall\u00e8lement aux activit\u00e9s du centre de danse, Bouziane Bouteldja cr\u00e9\u00e9 sa compagnie en 2007 et y d\u00e9veloppe un travail d&#8217;auteur en tissant des liens entre l&#8217;art et la soci\u00e9t\u00e9.<\/p>\n<p>\u00c0 son r\u00e9pertoire, douze spectacles qui auscultent le pouls de nos soci\u00e9t\u00e9s contemporaines : l\u2019identit\u00e9, les discriminations, la religion, l\u2019ego, la mort, la malbouffe, les migrations, la jeunesse, le dialogue entre les peuples\u2026 Des th\u00e9matiques qui r\u00e9sonnent avec le parcours de vie du chor\u00e9graphe qui place au c\u0153ur de ses r\u00e9flexions, la pratique de la danse comme vecteur d\u2019\u00e9mancipation et comme exutoire d\u2019une histoire personnelle. Un axe incontournable de son projet artistique qu\u2019il continue \u00e0 transmettre aujourd\u2019hui le plus largement possible avec toujours autant d\u2019engagement et de c\u0153ur.<\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p><a href=%22https:\/\/dans6t.com%22><strong>Dans6T<\/strong><\/a>, c\u2019est d\u2019abord une histoire n\u00e9e d\u2019une passion pour la danse hiphop, celle du jeune Bouziane qui d\u00e9couvre le bboying (%22breakdance%22) \u00e0 l\u2019occasion d\u2019un stage avec Tayeb Benamara.<\/p>\n<p>De cette passion va \u00e9clore en 2001 un centre des danses hiphop, singulier dans le paysage des \u00e9coles de Tarbes puisqu\u2019il est d\u00e9di\u00e9  \u00e0 ces esth\u00e9tiques, mais surtout par son engagement dans les quartiers en consid\u00e9rant la danse comme outil d\u2019inclusion sociale.<\/p>\n<p>Parall\u00e8lement aux activit\u00e9s du centre de danse, Bouziane Bouteldja cr\u00e9\u00e9 sa compagnie en 2007 et y d\u00e9veloppe un travail d&#8217;auteur en tissant des liens entre l&#8217;art et la soci\u00e9t\u00e9.<\/p>\n<p>\u00c0 son r\u00e9pertoire, douze spectacles qui auscultent le pouls de nos soci\u00e9t\u00e9s contemporaines : l\u2019identit\u00e9, les discriminations, la religion, l\u2019ego, la mort, la malbouffe, les migrations, la jeunesse, le dialogue entre les peuples\u2026 Des th\u00e9matiques qui r\u00e9sonnent avec le parcours de vie du chor\u00e9graphe qui place au c\u0153ur de ses r\u00e9flexions, la pratique de la danse comme vecteur d\u2019\u00e9mancipation et comme exutoire d\u2019une histoire personnelle. Un axe incontournable de son projet artistique qu\u2019il continue \u00e0 transmettre aujourd\u2019hui le plus largement possible avec toujours autant d\u2019engagement et de c\u0153ur.<\/p>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|700|||||||&#8221; closed_title_font=&#8221;|700|||||||&#8221; body_font_size=&#8221;16px&#8221; body_font_size_tablet=&#8221;16px&#8221; body_font_size_phone=&#8221;16px&#8221; body_font_size_last_edited=&#8221;on|phone&#8221; border_color_all=&#8221;#FF1D25&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/dans6t.com\"><strong>Dans6T<\/strong><\/a> is first and foremost a story born from a passion for hiphop dance, that of young Bouziane, who discovered bboying (&#8220;breakdance&#8221;) during a workshop with Tayeb Benamara. From this passion, in 2001, a hiphop dance center was born, unique in the landscape of dance schools in Tarbes, as it was dedicated to these dance styles but, more importantly, committed to the communities, using dance as a tool for social inclusion.<\/p>\n<p>Alongside the activities of the dance center, Bouziane Bouteldja created his company in 2007 and developed a work as an artist, weaving connections between art and society. With a repertoire of twelve performances, he delves into the pulse of contemporary societies: identity, discrimination, religion, ego, death, junk food, migration, youth, and dialogue between peoples. These themes resonate with the choreographer&#8217;s life journey, where dance is placed at the heart of his reflections as a vehicle for emancipation and as an outlet for his personal history. This is an essential aspect of his artistic project, which he continues to share today with as much commitment and heart as ever.<\/p>\n<p>Company Dans6T is associate to Estive, national theatre of Foix and Ari\u00e8ge.\u00a0<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Bouziane Bouteldja&#8221; content_tablet=&#8221;<\/p>\n<p>En 2009, Bouziane Bouteldja cr\u00e9e sa premi\u00e8re pi\u00e8ce <em>Pas si Compliqu\u00e9 <\/em>puis, en 2010, <em>Kif l&#8217;\u00c9quilibre<\/em> : une trio danse\/th\u00e9\u00e2tre \u00e0 destination du jeune public sur le th\u00e8me de l\u2019alimentation et de la danse comme moyen d\u2019activit\u00e9 physique.<\/p>\n<p>En 2011, \u00e0 l\u2019initiative du Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, Bouziane Bouteldja rencontre la metteure en sc\u00e8ne Coraline Lamaison avec qui il va poursuivre sa formation d\u2019interpr\u00e8te et chor\u00e9graphe. Cette rencontre, d\u00e9terminante, aboutit \u00e0 la co-\u00e9criture d\u2019une nouvelle pi\u00e8ce, <em>Alt\u00e9rit\u00e9<\/em>, avec laquelle il remporte le prix du jury au concours de danse contemporaine (Re)connaissances.<\/p>\n<p>En 2014, il s\u2019associe \u00e0 Gilles Rondot et cr\u00e9e le solo <em>R\u00e9versible<\/em>. Ensemble, ils m\u00e8nent une r\u00e9flexion sur l\u2019\u00e9mancipation de l\u2019individu dans le monde arabo-musulman, dans un contexte de d\u00e9bats fran\u00e7ais sur la la\u00efcit\u00e9 et la libert\u00e9 de conscience. Cette pi\u00e8ce a \u00e9t\u00e9 jou\u00e9e plus de 40 fois dans plusieurs festivals en France et \u00e0 l\u2019\u00e9tranger. Commence alors un compagnonnage temporaire avec camin aktion pour le renfort en diffusion, aboutissant \u00e0 la pr\u00e9sentation de <em>R\u00e9versible<\/em> \u00e0 l&#8217;Op\u00e9ra d&#8217;Oslo.<\/p>\n<p>\u00ab Pouvons-nous \u00eatre nous-m\u00eames, devons-nous jouer des r\u00f4les pour \u00eatre accept\u00e9s ou \u00e9cout\u00e9s ? \u00bb, c\u2019est la question que Bouziane Bouteldja se pose avec <em>Faux Semblants<\/em>. L\u2019\u00e9criture de cette pi\u00e8ce, cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es en novembre 2016, fut au c\u0153ur d\u2019un projet de formation de danseurs\u2022es-interpr\u00e8tes, n\u00e9cessitant plusieurs allers-retours entre la France et le Maroc.<\/p>\n<p>En 2018, Bouziane Bouteldja cr\u00e9e une pi\u00e8ce chor\u00e9graphique et musicale, <em>Face \u00e0 terre<\/em>, avec Ana Pi et Bastien Picot, un chanteur r\u00e9unionnais. Cette pi\u00e8ce est le fruit de recherches men\u00e9es au Mexique (F\u00eate des Morts) et au Br\u00e9sil autour de la pratique du candombl\u00e9, une religion afro-br\u00e9silienne, dont les rituels invoquent les dieux pour venir danser et se m\u00ealer aux humains dans une sorte de transe de possession.<\/p>\n<p>Cette m\u00eame ann\u00e9e, <em>Danse et p\u00e9ns\u00e9es<\/em>, un dispositif de danse-forum, est con\u00e7u en partenariat avec un universitaire sp\u00e9cialiste de la R\u00e9publique et la sociologue Elsa Poissonnet. Ce dispositif est labellis\u00e9 en 2019 par le Comit\u00e9 Interminist\u00e9riel de Pr\u00e9vention de la d\u00e9linquance et de la Radicalisation.<\/p>\n<p>En 2019, la pi\u00e8ce participative <em>Cheffe<\/em> voit le jour au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es. Cette pi\u00e8ce r\u00e9unit une vingtaine de femmes qui, pour la plupart, n\u2019avaient aucune exp\u00e9rience de la sc\u00e8ne et du spectacle vivant.<\/p>\n<p>Parall\u00e8lement, Bouziane Bouteldja poursuit le travail de formation en direction de jeunes danseurs marocains. Cinq danseurs sont engag\u00e9s et participent aux c\u00f4t\u00e9s de deux danseurs fran\u00e7ais \u00e0 la cr\u00e9ation de la pi\u00e8ce <em>Telles Quelles\/Tels Quels.<\/em><\/p>\n<p>En 2021, <em>Ruptures<\/em> est cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, une pi\u00e8ce qui \u00e9voque les d\u00e9placements humains \u00e0 l&#8217;\u00e8re de l&#8217;Anthropoc\u00e8ne et qui met en exergue la crise climatique que notre monde traverse. L&#8217;envie de cr\u00e9er cette pi\u00e8ce a germ\u00e9 suite \u00e0 la rencontre de Bouziane Bouteldja avec le politologue Fran\u00e7ois Gemenne.<\/p>\n<p>Une version pour l&#8217;espace public, <em>Ritual da Vida<\/em>, est d\u00e9clin\u00e9e en 2022, \u00e0 l&#8217;occasion de la Saison France-Portugal.<\/p>\n<p>De nombreux projets p\u00e9dagogiques et de transmission permettent de rester en contact avec le terrain et la jeunesse et de poursuivre, gr\u00e2ce \u00e0 la danse, la r\u00e9flexion sur l\u2019\u00e9mancipation de soi et l&#8217;action citoyenne.<\/p>\n<p>En 2023, le chor\u00e9graphe cr\u00e9e un duo pour deux B-Boys, <em>Rideau de Fr\u00e8res (Khawa, khawa)<\/em>. Une pi\u00e8ce qui promeut une danse sans fronti\u00e8res en sondant le dialogue des cultures et la fraternit\u00e9 entre les peuples.<\/p>\n<p>En 2024, est cr\u00e9\u00e9 le spectacle <em>R\u00e9cr\u00e9ations<\/em>, inspir\u00e9 des performances dans\u00e9es surprise r\u00e9alis\u00e9es dans les \u00e9tablissements scolaires durant la crise sanitaire. Cette pi\u00e8ce qui int\u00e8gre une vingtaine de lyc\u00e9en\u2022ne\u2022s au plateau est une ode \u00e0 la jeunesse.<\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p><span style=%22font-size: medium;%22>En 2009, Bouziane Bouteldja cr\u00e9e sa premi\u00e8re pi\u00e8ce <em>Pas si Compliqu\u00e9 <\/em>puis, en 2010, <em>Kif l&#8217;\u00c9quilibre<\/em> : une trio danse\/th\u00e9\u00e2tre \u00e0 destination du jeune public sur le th\u00e8me de l\u2019alimentation et de la danse comme moyen d\u2019activit\u00e9 physique.<\/span><\/p>\n<p>En 2011, \u00e0 l\u2019initiative du Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, Bouziane Bouteldja rencontre la metteure en sc\u00e8ne Coraline Lamaison avec qui il va poursuivre sa formation d\u2019interpr\u00e8te et chor\u00e9graphe. Cette rencontre, d\u00e9terminante, aboutit \u00e0 la co-\u00e9criture d\u2019une nouvelle pi\u00e8ce, <em>Alt\u00e9rit\u00e9<\/em>, avec laquelle il remporte le prix du jury au concours de danse contemporaine (Re)connaissances.<\/p>\n<p>En 2014, il s\u2019associe \u00e0 Gilles Rondot et cr\u00e9e le solo <em>R\u00e9versible<\/em>. Ensemble, ils m\u00e8nent une r\u00e9flexion sur l\u2019\u00e9mancipation de l\u2019individu dans le monde arabo-musulman, dans un contexte de d\u00e9bats fran\u00e7ais sur la la\u00efcit\u00e9 et la libert\u00e9 de conscience. Cette pi\u00e8ce a \u00e9t\u00e9 jou\u00e9e plus de 40 fois dans plusieurs festivals en France et \u00e0 l\u2019\u00e9tranger. Commence alors un compagnonnage temporaire avec camin aktion pour le renfort en diffusion, aboutissant \u00e0 la pr\u00e9sentation de <em>R\u00e9versible<\/em> \u00e0 l&#8217;Op\u00e9ra d&#8217;Oslo.<\/p>\n<p>\u00ab Pouvons-nous \u00eatre nous-m\u00eames, devons-nous jouer des r\u00f4les pour \u00eatre accept\u00e9s ou \u00e9cout\u00e9s ? \u00bb, c\u2019est la question que Bouziane Bouteldja se pose avec <em>Faux Semblants<\/em>. L\u2019\u00e9criture de cette pi\u00e8ce, cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es en novembre 2016, fut au c\u0153ur d\u2019un projet de formation de danseurs\u2022es-interpr\u00e8tes, n\u00e9cessitant plusieurs allers-retours entre la France et le Maroc.<\/p>\n<p>En 2018, Bouziane Bouteldja cr\u00e9e une pi\u00e8ce chor\u00e9graphique et musicale, <em>Face \u00e0 terre<\/em>, avec Ana Pi et Bastien Picot, un chanteur r\u00e9unionnais. Cette pi\u00e8ce est le fruit de recherches men\u00e9es au Mexique (F\u00eate des Morts) et au Br\u00e9sil autour de la pratique du candombl\u00e9, une religion afro-br\u00e9silienne, dont les rituels invoquent les dieux pour venir danser et se m\u00ealer aux humains dans une sorte de transe de possession.<\/p>\n<p>Cette m\u00eame ann\u00e9e, <em>Danse et p\u00e9ns\u00e9es<\/em>, un dispositif de danse-forum, est con\u00e7u en partenariat avec un universitaire sp\u00e9cialiste de la R\u00e9publique et la sociologue Elsa Poissonnet. Ce dispositif est labellis\u00e9 en 2019 par le Comit\u00e9 Interminist\u00e9riel de Pr\u00e9vention de la d\u00e9linquance et de la Radicalisation.<\/p>\n<p>En 2019, la pi\u00e8ce participative <em>Cheffe<\/em> voit le jour au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es. Cette pi\u00e8ce r\u00e9unit une vingtaine de femmes qui, pour la plupart, n\u2019avaient aucune exp\u00e9rience de la sc\u00e8ne et du spectacle vivant.<\/p>\n<p>Parall\u00e8lement, Bouziane Bouteldja poursuit le travail de formation en direction de jeunes danseurs marocains. Cinq danseurs sont engag\u00e9s et participent aux c\u00f4t\u00e9s de deux danseurs fran\u00e7ais \u00e0 la cr\u00e9ation de la pi\u00e8ce <em>Telles Quelles\/Tels Quels.<\/em><\/p>\n<p>En 2021, <em>Ruptures<\/em> est cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, une pi\u00e8ce qui \u00e9voque les d\u00e9placements humains \u00e0 l&#8217;\u00e8re de l&#8217;Anthropoc\u00e8ne et qui met en exergue la crise climatique que notre monde traverse. L&#8217;envie de cr\u00e9er cette pi\u00e8ce a germ\u00e9 suite \u00e0 la rencontre de Bouziane Bouteldja avec le politologue Fran\u00e7ois Gemenne.<\/p>\n<p>Une version pour l&#8217;espace public, <em>Ritual da Vida<\/em>, est d\u00e9clin\u00e9e en 2022, \u00e0 l&#8217;occasion de la Saison France-Portugal.<\/p>\n<p>De nombreux projets p\u00e9dagogiques et de transmission permettent de rester en contact avec le terrain et la jeunesse et de poursuivre, gr\u00e2ce \u00e0 la danse, la r\u00e9flexion sur l\u2019\u00e9mancipation de soi et l&#8217;action citoyenne.<\/p>\n<p>En 2023, le chor\u00e9graphe cr\u00e9e un duo pour deux B-Boys, <em>Rideau de Fr\u00e8res (Khawa, khawa)<\/em>. Une pi\u00e8ce qui promeut une danse sans fronti\u00e8res en sondant le dialogue des cultures et la fraternit\u00e9 entre les peuples.<\/p>\n<p>En 2024, est cr\u00e9\u00e9 le spectacle <em>R\u00e9cr\u00e9ations<\/em>, inspir\u00e9 des performances dans\u00e9es surprise r\u00e9alis\u00e9es dans les \u00e9tablissements scolaires durant la crise sanitaire. Cette pi\u00e8ce qui int\u00e8gre une vingtaine de lyc\u00e9en\u2022ne\u2022s au plateau est une ode \u00e0 la jeunesse.<\/p>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|700|||||||&#8221; closed_title_font=&#8221;|700|||||||&#8221; body_font_size=&#8221;16px&#8221; body_font_size_tablet=&#8221;16px&#8221; body_font_size_phone=&#8221;16px&#8221; body_font_size_last_edited=&#8221;on|phone&#8221; border_color_all=&#8221;#FF1D25&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>En 2009, Bouziane Bouteldja cr\u00e9e sa premi\u00e8re pi\u00e8ce <em>Pas si Compliqu\u00e9 <\/em>puis, en 2010, <em>Kif l&#8217;\u00c9quilibre<\/em> : une trio danse\/th\u00e9\u00e2tre \u00e0 destination du jeune public sur le th\u00e8me de l\u2019alimentation et de la danse comme moyen d\u2019activit\u00e9 physique.<\/p>\n<p>En 2011, \u00e0 l\u2019initiative du Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, Bouziane Bouteldja rencontre la metteure en sc\u00e8ne Coraline Lamaison avec qui il va poursuivre sa formation d\u2019interpr\u00e8te et chor\u00e9graphe. Cette rencontre, d\u00e9terminante, aboutit \u00e0 la co-\u00e9criture d\u2019une nouvelle pi\u00e8ce, <em>Alt\u00e9rit\u00e9<\/em>, avec laquelle il remporte le prix du jury au concours de danse contemporaine (Re)connaissances.<\/p>\n<p>En 2014, il s\u2019associe \u00e0 Gilles Rondot et cr\u00e9e le solo <em>R\u00e9versible<\/em>. Ensemble, ils m\u00e8nent une r\u00e9flexion sur l\u2019\u00e9mancipation de l\u2019individu dans le monde arabo-musulman, dans un contexte de d\u00e9bats fran\u00e7ais sur la la\u00efcit\u00e9 et la libert\u00e9 de conscience. Cette pi\u00e8ce a \u00e9t\u00e9 jou\u00e9e plus de 40 fois dans plusieurs festivals en France et \u00e0 l\u2019\u00e9tranger. Commence alors un compagnonnage temporaire avec camin aktion pour le renfort en diffusion, aboutissant \u00e0 la pr\u00e9sentation de\u00a0<em>R\u00e9versible<\/em> \u00e0 l&#8217;Op\u00e9ra d&#8217;Oslo.<\/p>\n<p>\u00ab Pouvons-nous \u00eatre nous-m\u00eames, devons-nous jouer des r\u00f4les pour \u00eatre accept\u00e9s ou \u00e9cout\u00e9s ? \u00bb, c\u2019est la question que Bouziane Bouteldja se pose avec <em>Faux Semblants<\/em>. L\u2019\u00e9criture de cette pi\u00e8ce, cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es en novembre 2016, fut au c\u0153ur d\u2019un projet de formation de danseurs\u2022es-interpr\u00e8tes, n\u00e9cessitant plusieurs allers-retours entre la France et le Maroc.<\/p>\n<p>En 2018, Bouziane Bouteldja cr\u00e9e une pi\u00e8ce chor\u00e9graphique et musicale, <em>Face \u00e0 terre<\/em>, avec Ana Pi et Bastien Picot, un chanteur r\u00e9unionnais. Cette pi\u00e8ce est le fruit de recherches men\u00e9es au Mexique (F\u00eate des Morts) et au Br\u00e9sil autour de la pratique du candombl\u00e9, une religion afro-br\u00e9silienne, dont les rituels invoquent les dieux pour venir danser et se m\u00ealer aux humains dans une sorte de transe de possession.<\/p>\n<p>Cette m\u00eame ann\u00e9e, <em>Danse et p\u00e9ns\u00e9es<\/em>, un dispositif de danse-forum, est con\u00e7u en partenariat avec un universitaire sp\u00e9cialiste de la R\u00e9publique et la sociologue Elsa Poissonnet. Ce dispositif est labellis\u00e9 en 2019 par le Comit\u00e9 Interminist\u00e9riel de Pr\u00e9vention de la d\u00e9linquance et de la Radicalisation.<\/p>\n<p>En 2019, la pi\u00e8ce participative <em>Cheffe<\/em> voit le jour au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es. Cette pi\u00e8ce r\u00e9unit une vingtaine de femmes qui, pour la plupart, n\u2019avaient aucune exp\u00e9rience de la sc\u00e8ne et du spectacle vivant.<\/p>\n<p>Parall\u00e8lement, Bouziane Bouteldja poursuit le travail de formation en direction de jeunes danseurs marocains. Cinq danseurs sont engag\u00e9s et participent aux c\u00f4t\u00e9s de deux danseurs fran\u00e7ais \u00e0 la cr\u00e9ation de la pi\u00e8ce <em>Telles Quelles\/Tels Quels.<\/em><\/p>\n<p>En 2021, <em>Ruptures<\/em> est cr\u00e9\u00e9e au Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, une pi\u00e8ce qui \u00e9voque les d\u00e9placements humains \u00e0 l&#8217;\u00e8re de l&#8217;Anthropoc\u00e8ne et qui met en exergue la crise climatique que notre monde traverse. L&#8217;envie de cr\u00e9er cette pi\u00e8ce a germ\u00e9 suite \u00e0 la rencontre de Bouziane Bouteldja avec le politologue Fran\u00e7ois Gemenne.<\/p>\n<p>Une version pour l&#8217;espace public, <em>Ritual da Vida<\/em>, est d\u00e9clin\u00e9e en 2022, \u00e0 l&#8217;occasion de la Saison France-Portugal.<\/p>\n<p>De nombreux projets p\u00e9dagogiques et de transmission permettent de rester en contact avec le terrain et la jeunesse et de poursuivre, gr\u00e2ce \u00e0 la danse, la r\u00e9flexion sur l\u2019\u00e9mancipation de soi et l&#8217;action citoyenne.<\/p>\n<p>En 2023, le chor\u00e9graphe cr\u00e9e un duo pour deux B-Boys, <em>Rideau de Fr\u00e8res\u00a0(Khawa, khawa)<\/em>. Une pi\u00e8ce qui promeut une danse sans fronti\u00e8res en sondant le dialogue des cultures et la fraternit\u00e9 entre les peuples.<\/p>\n<p>En 2024, est cr\u00e9\u00e9 le spectacle R\u00c9CR\u00c9ATIONS, inspir\u00e9 des performances dans\u00e9es surprise r\u00e9alis\u00e9es dans les \u00e9tablissements scolaires durant la crise sanitaire. Cette pi\u00e8ce qui int\u00e8gre une vingtaine de lyc\u00e9en\u2022ne\u2022s au plateau est une ode \u00e0 la jeunesse.<\/p>\n<p>&nbsp;<\/p>\n<p>In 2009, Bouziane Bouteldja created his first piece <em>Pas si Compliqu\u00e9<\/em>, followed in 2010 by <em>Kif l&#8217;\u00c9quilibre<\/em>, a dance\/theater trio aimed at young audiences exploring the themes of nutrition and dance as a form of physical activity.<\/p>\n<p>In 2011, at the initiative of Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, Bouziane Bouteldja met director Coraline Lamaison, with whom he would continue his training as a performer and choreographer. This pivotal meeting led to the co-writing of a new piece, <em>Alt\u00e9rit\u00e9<\/em>, with which he won the jury award at the contemporary dance competition (Re)connaissances.<\/p>\n<p>In 2014, he partnered with Gilles Rondot to create the solo <em>R\u00e9versible<\/em>. Together, they explored the emancipation of the individual in the Arab-Muslim world, within the context of French debates on secularism and freedom of conscience. This piece has been performed over 40 times at festivals both in France and abroad. This collaboration marked the beginning of a temporary partnership with camin aktion to strengthen the diffusion of the work, culminating in a performance of <em>R\u00e9versible<\/em>\u00a0at the Oslo Opera House.<\/p>\n<p>\u201cCan we be ourselves, or must we play roles to be accepted or heard?\u201d This is the question Bouziane Bouteldja addressed with <em>Faux<\/em> <em>Semblants<\/em>. The creation of this piece, presented at Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es in November 2016, was at the heart of a project to educate dancer-performers, involving several journeys between France and Morocco.<\/p>\n<p>In 2018, Bouziane Bouteldja created a choreographic and musical piece, <em>Face \u00e0 terre<\/em>, with Ana Pi and Bastien Picot, a singer from Reunion Island. This work was the result of research conducted in Mexico (Day of the Dead) and Brazil, exploring Candombl\u00e9, an Afro-Brazilian religion where rituals invoke gods to come dance and merge with humans in a form of trance.<\/p>\n<p>That same year, <em>Danse et Pens\u00e9es<\/em>, a dance-forum program, was created in partnership with a university specialist in the Republic and sociologist Elsa Poissonnet. This program was officially recognized in 2019 by the Interministerial Committee for the Prevention of Delinquency and Radicalization.<\/p>\n<p>In 2019, the participatory piece <em>Cheffe<\/em>\u00a0premiered at Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es. This work brought together around twenty women, most of whom had no previous experience in theater or live performance.<\/p>\n<p>In parallel, Bouziane Bouteldja continued his training work with young Moroccan dancers. Five dancers participated alongside two French dancers in the creation of the performance <em>Telles Quelles\/Tels Quels<\/em>.<\/p>\n<p>In 2021, <em>Ruptures<\/em>\u00a0was created at Parvis, Sc\u00e8ne nationale Tarbes Pyr\u00e9n\u00e9es, a piece reflecting on human migration in the Anthropocene era and highlighting the climate crisis facing our world. The idea for this work emerged after Bouziane Bouteldja&#8217;s meeting with political scientist Fran\u00e7ois Gemenne.<\/p>\n<p>A public space version, <em>Ritual da Vida<\/em>, was created in 2022 as part of the France-Portugal Season.<\/p>\n<p>Numerous educational and transmission projects allow Bouziane Bouteldja to remain connected to the field and youth, continuing to use dance as a tool for reflection on self-emancipation and civic engagement.<\/p>\n<p>In 2023, the choreographer created a duo for two B-Boys, <em>Rideau de Fr\u00e8res (Khawa, khawa)<\/em>. This piece promotes borderless dance, exploring cultural dialogue and fraternity between peoples.<\/p>\n<p>In 2024, the performance <em>Recreations<\/em>\u00a0was created, inspired by the surprise dance performances conducted in schools during the health crisis. This piece, which involves around twenty high school students on stage, is a celebration of youth.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Cast &#038; partners&#8221; content_tablet=&#8221;<\/p>\n<p><strong>Chor\u00e9graphie<\/strong> | Bouziane Bouteldja<\/p>\n<p><strong>Mise en sc\u00e8ne<\/strong> | J\u00e9r\u00e9mie Le Lou\u00ebt<\/p>\n<p><strong>Assistante chor\u00e9graphique<\/strong> | Mathilde Rispal<\/p>\n<p><strong>Avec<\/strong> Bouziane Bouteldja, Mathilde Rispal, Alison Benezech, Fakri Hassane, Tshepo Mohlabane et des danseurs\u2022ses amateur\u2022es des territoires<\/p>\n<p><strong>Production<\/strong> | Compagnie Dans6T<\/p>\n<p><strong>Coproduction (en cours) <\/strong>| P\u00f4le Sud CDNC-Strasbourg<\/p>\n<p><strong>Avec le soutien de <\/strong>Minist\u00e8re de la Culture\/DRAC Occitanie, le D\u00e9partements des Hautes-Pyr\u00e9n\u00e9es, la Ville de Tarbes.<\/p>\n<p><strong>Accueil en r\u00e9sidence<\/strong> | Les Hivernales CDCN &#8211; Avignon, P\u00f4le Sud CDCN &#8211; Strasbourg, KLAP &#8211; Maison pour la danse, Ville de Lourdes<\/p>\n<p><strong>R\u00e9sidence de recherche<\/strong> | Villa Albertine &#8211; Miami<\/p>\n<p>&#8221; content_phone=&#8221;<span style=%22font-size: small;%22><br \/>\n<strong>Chor\u00e9graphie<\/strong> | Bouziane Bouteldja<\/p>\n<p><span style=%22font-size: small;%22><strong>Mise en sc\u00e8ne<\/strong> | J\u00e9r\u00e9mie Le Lou\u00ebt<\/p>\n<p><span style=%22font-size: small;%22><strong>Assistante chor\u00e9graphique<\/strong> | Mathilde Rispal<\/p>\n<p><span style=%22font-size: small;%22><strong>Avec<\/strong> Bouziane Bouteldja, Mathilde Rispal, Alison Benezech, Fakri Hassane, Tshepo Mohlabane et des danseurs\u2022ses amateur\u2022es des territoires<\/p>\n<p><span style=%22font-size: small;%22><strong>Production<\/strong> | Compagnie Dans6T<\/p>\n<p><span style=%22font-size: small;%22><strong>Coproduction (en cours) <\/strong>| P\u00f4le Sud CDNC-Strasbourg<\/p>\n<p><span style=%22font-size: small;%22><strong>Avec le soutien de <\/strong>Minist\u00e8re de la Culture\/DRAC Occitanie, le D\u00e9partements des Hautes-Pyr\u00e9n\u00e9es, la Ville de Tarbes.<\/p>\n<p><span style=%22font-size: small;%22><strong>Accueil en r\u00e9sidence<\/strong> | Les Hivernales CDCN &#8211; Avignon, P\u00f4le Sud CDCN &#8211; Strasbourg, KLAP &#8211; Maison pour la danse, Ville de Lourdes<\/p>\n<p><span style=%22font-size: small;%22><strong>R\u00e9sidence de recherche<\/strong> | Villa Albertine &#8211; Miami&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|700|||||||&#8221; closed_title_font=&#8221;|700|||||||&#8221; body_font_size=&#8221;16px&#8221; body_font_size_tablet=&#8221;16px&#8221; body_font_size_phone=&#8221;16px&#8221; body_font_size_last_edited=&#8221;on|phone&#8221; border_color_all=&#8221;#FF1D25&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Choreography<\/strong>\u00a0| Bouziane Bouteldja<\/p>\n<p><strong>Direction<\/strong>\u00a0| J\u00e9r\u00e9mie Le Lou\u00ebt<\/p>\n<p><strong>Choreographic assistant<\/strong> | Mathilde Rispal<\/p>\n<p><strong>Dance<\/strong> Bouziane Bouteldja, Mathilde Rispal, Alison Benezech, Fakri Hassane, Tshepo Mohlabane and local volunteers<\/p>\n<p><strong>Production<\/strong> | Cie Dans6T<\/p>\n<p><strong>Co-production (in progress) <\/strong>| P\u00f4le Sud CDNC-Strasbourg<\/p>\n<p><strong>With the support of <\/strong>Minist\u00e8re de la Culture\/DRAC Occitanie, le D\u00e9partements des Hautes-Pyr\u00e9n\u00e9es, la Ville de Tarbes.<\/p>\n<p><strong>Residencies<\/strong>\u00a0| Les Hivernales CDCN &#8211; Avignon, P\u00f4le Sud CDCN &#8211; Strasbourg, KLAP &#8211; Maison pour la danse, Ville de Lourdes<\/p>\n<p><strong>Research residency<\/strong>\u00a0| Villa Albertine &#8211; Miami<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;320px||||false|false&#8221; custom_margin_tablet=&#8221;0px||||false|false&#8221; custom_margin_phone=&#8221;0px||||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; custom_padding=&#8221;10px|10px|10px|10px|false|false&#8221; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FF1D25&#8243; global_colors_info=&#8221;{}&#8221; content_last_edited=&#8221;on|desktop&#8221; sticky_enabled=&#8221;0&#8243; content_phone=&#8221;<\/p>\n<p><span style=%22font-size: medium;%22><strong>Sunday December 8<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium;%22><strong>2:30 PM<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium;%22><strong>Halle Tropisme\u00a0<\/strong><\/span><\/p>\n<p><span style=%22font-size: small; color: #ff1d25;%22><strong><span>Following the conference, join us for an open jam session with DJ S!D, featuring a special showcase by the junior company of the #JeSuis program. Expect raw talent, unbeatable style, and a whole lot of swag!<\/span><\/strong><\/span><\/p>\n<p><span style=%22color: #00b1b3; font-size: small;%22><span style=%22caret-color: #00b1b3;%22><b>Conference held in French language.<\/b><\/span><\/span><span style=%22font-size: small; color: #ff1d25;%22><strong><\/strong><\/span><span style=%22color: #00b1b3; font-size: small;%22><span style=%22caret-color: #00b1b3;%22><b><\/b><\/span><\/span><\/p>\n<p><span style=%22font-size: xx-small;%22><strong>Presale<\/strong>: 12\u20ac (reduced rate: 8\u20ac, children under 11: 6\u20ac)<span style=%22font-size: small; color: #ff1d25;%22><strong><\/strong><\/span><\/span><\/p>\n<p><span style=%22font-size: xx-small;%22><strong>On-site<\/strong>\u00a0 14\u20ac (reduced rate: 10\u20ac, children under 11: 8 \u20ac)<\/span><\/p>\n<p><span style=%22font-size: medium; color: #ff1d25;%22><strong><\/strong><\/span><\/p>\n<p>&#8221; content_tablet=&#8221;<\/p>\n<p><span style=%22font-size: medium;%22><strong>Sunday December 8<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium;%22><strong>2:30 PM<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium;%22><strong>Halle Tropisme\u00a0<\/strong><\/span><\/p>\n<p><span style=%22font-size: small; color: #ff1d25;%22><strong><span>Following the conference, join us for an open jam session with DJ S!D, featuring a special showcase by the junior company of the #JeSuis program. Expect raw talent, unbeatable style, and a whole lot of swag!<\/span><\/strong><\/span><\/p>\n<p><span style=%22color: #00b1b3; font-size: small;%22><span style=%22caret-color: #00b1b3;%22><b>Conference held in French language.<\/b><\/span><\/span><\/p>\n<p><span style=%22font-size: xx-small;%22><strong>Presale<\/strong>: 12\u20ac (reduced rate: 8\u20ac, children under 11: 6\u20ac)<span style=%22font-size: small; color: #ff1d25;%22><strong><\/strong><\/span><\/span><\/p>\n<p><span style=%22font-size: xx-small;%22><strong>On-site<\/strong>\u00a0 14\u20ac (reduced rate: 10\u20ac, children under 11: 8 \u20ac)<\/span><\/p>\n<p><span style=%22font-size: medium; color: #ff1d25;%22><strong><\/strong><\/span><\/p>\n<p>&#8220;]<\/p>\n<p><span style=\"font-size: medium;\"><strong>Sunday December 8<\/strong><\/span><\/p>\n<p><span style=\"font-size: medium;\"><strong>2:30 PM<\/strong><\/span><\/p>\n<p><span style=\"font-size: medium;\"><strong>Halle Tropisme\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-size: small; color: #ff1d25;\"><strong><span>Following the conference, join us for an open jam session with DJ S!D, featuring a special showcase by the junior company of the #JeSuis program. Expect raw talent, unbeatable style, and a whole lot of swag!<\/span><\/strong><\/span><\/p>\n<p><span style=\"color: #00b1b3; font-size: small;\"><span style=\"caret-color: #00b1b3;\"><b>Conference held in French language.<\/b><\/span><\/span><\/p>\n<p><span style=\"font-size: xx-small;\"><strong>Presale<\/strong>: 12\u20ac (reduced rate: 8\u20ac, children under 11: 6\u20ac)<span style=\"font-size: small; color: #ff1d25;\"><strong><\/strong><\/span><\/span><\/p>\n<p><span style=\"font-size: xx-small;\"><strong>On-site<\/strong>\u00a0 14\u20ac (reduced rate: 10\u20ac, children under 11: 8 \u20ac)<\/span><\/p>\n<p><span style=\"font-size: medium; color: #ff1d25;\"><strong><\/strong><\/span><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/caminaktion.eu\/en\/events\/luttes\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;TICKETS&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.27.3&#8243; custom_button=&#8221;on&#8221; button_text_size=&#8221;20px&#8221; button_text_color=&#8221;#ffffff&#8221; button_bg_color=&#8221;#FF1D25&#8243; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Raleway|700|||||||&#8221; button_use_icon=&#8221;off&#8221; button_bg_color_tablet=&#8221;#FF1D25&#8243; button_bg_color_phone=&#8221;#FF1D25&#8243; button_bg_color_last_edited=&#8221;on|desktop&#8221; button_text_color_hover=&#8221;#ffffff&#8221; button_bg_color_hover=&#8221;#00B1B3&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; button_text_size__hover_enabled=&#8221;off&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_text_color__hover_enabled=&#8221;on&#8221; button_text_color__hover=&#8221;#ffffff&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_border_width__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_border_color__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_border_radius__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_letter_spacing__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;off&#8221; button_two_letter_spacing__hover_enabled=&#8221;off&#8221; button_bg_color__hover_enabled=&#8221;off|desktop&#8221; button_bg_color__hover=&#8221;#FF1D25&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221; button_bg_enable_color__hover=&#8221;on&#8221;][\/et_pb_button][et_pb_image src=&#8221;https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/PMR-dynamique-noir.png&#8221; title_text=&#8221;PMR dynamique noir&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; max_width=&#8221;20%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text content_tablet=&#8221;<\/p>\n<p><span style=%22font-size: medium;%22><strong>Related program\u2026<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22><a href=%22https:\/\/caminaktion.eu\/en\/hypeocc-dansesurbaines%22><em><strong>Urban dances 2.0<\/strong><\/em><\/a>, a continuous screening of dance videos at Th\u00e9\u00e2tre d&#8217;O, Saturday December starting at 5 PM.<\/span><\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22> The documentary film <\/span><span style=%22font-size: medium; color: #0a0103;%22><a href=%22https:\/\/caminaktion.eu\/hypeocc-appel%22><em><strong>The Call to Dance in Senegal<\/strong><\/em><\/a> by Diane Fardoun, Sunday December 8 at 8PM, at Cin\u00e9ma Utopia.<\/span><br \/><span style=%22font-size: medium; color: #0a0103;%22><\/span><\/p>\n<\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22><\/span><\/p>\n<p><span style=%22font-size: medium; color: #ff1d25;%22><strong><\/strong><\/span><\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p><span style=%22font-size: medium;%22><strong>Related program\u2026<\/strong><\/span><\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22><a href=%22https:\/\/caminaktion.eu\/en\/hypeocc-dansesurbaines%22><em><strong>Urban dances 2.0<\/strong><\/em><\/a>, a continuous screening of dance videos at Th\u00e9\u00e2tre d&#8217;O, Saturday December starting at 5 PM.<\/span><\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22> The documentary film <\/span><span style=%22font-size: medium; color: #0a0103;%22><a href=%22https:\/\/caminaktion.eu\/hypeocc-appel%22><em><strong>The Call to Dance in Senegal<\/strong><\/em><\/a> by Diane Fardoun, Sunday December 8 at 8PM, at Cin\u00e9ma Utopia.<\/span><span style=%22font-size: medium; color: #0a0103;%22><\/span><\/p>\n<p><span style=%22font-size: medium; color: #0a0103;%22><\/span><\/p>\n<p><span style=%22font-size: medium; color: #ff1d25;%22><strong><\/strong><\/span><\/p>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#FF9F85&#8243; custom_margin=&#8221;||||false|false&#8221; custom_margin_tablet=&#8221;0px||||false|false&#8221; custom_margin_phone=&#8221;0px||||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; custom_padding=&#8221;10px|10px|10px|10px|false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FF1D25&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-size: medium;\"><strong>Related program\u2026<\/strong><\/span><\/p>\n<p><span style=\"font-size: medium; color: #0a0103;\"><a href=\"https:\/\/caminaktion.eu\/en\/hypeocc-dansesurbaines\"><em><strong>Urban dances 2.0<\/strong><\/em><\/a>, a continuous screening of dance videos at Th\u00e9\u00e2tre d&#8217;O, Saturday December starting at 5 PM.<\/span><\/p>\n<p><span style=\"font-size: medium; color: #0a0103;\"> The documentary film <\/span><span style=\"font-size: medium; color: #0a0103;\"><a href=\"https:\/\/caminaktion.eu\/hypeocc-appel\"><em><strong>The Call to Dance in Senegal<\/strong><\/em><\/a> by Diane Fardoun, Sunday December 8 at 8PM, at Cin\u00e9ma Utopia.<\/span><br \/><span style=\"font-size: medium; color: #0a0103;\"><\/span><\/p>\n<p><span style=\"font-size: medium; color: #ff1d25;\"><strong><\/strong><\/span><\/p>\n<p>[\/et_pb_text][et_pb_text content_tablet=&#8221;<\/p>\n<p style=%22text-align: left;%22><span style=%22font-size: x-small;%22>Photos \u00a9 Pamela Perschke &#8211; L&#8217;Estive sc\u00e8ne nationale de Foix et de l&#8217;Ari\u00e8ge<\/span><\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p style=%22text-align: left;%22><span style=%22font-size: x-small;%22>Photos \u00a9 Pamela Perschke &#8211; L&#8217;Estive sc\u00e8ne nationale de Foix et de l&#8217;Ari\u00e8ge<\/span><\/p>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;100px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: x-small;\">Photos \u00a9 Pamela Perschke &#8211; L&#8217;Estive sc\u00e8ne nationale de Foix et de l&#8217;Ari\u00e8ge<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; 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height=\"853\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2022\/07\/ls-project-62-slide-16-2.jpg\" class=\"ls-tn\" alt=\"\" srcset=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2022\/07\/ls-project-62-slide-16-2.jpg 1280w, https:\/\/caminaktion.eu\/wp-content\/uploads\/2022\/07\/ls-project-62-slide-16-2-980x653.jpg 980w, https:\/\/caminaktion.eu\/wp-content\/uploads\/2022\/07\/ls-project-62-slide-16-2-480x320.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw\" \/><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/22102024-DSCF0916-Avec-accentuation-Bruit-scaled.jpeg\" class=\"ls-l ls-img-layer\" alt=\"\" srcset=\"https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/22102024-DSCF0916-Avec-accentuation-Bruit-scaled.jpeg 2560w, 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