{"id":44443,"date":"2024-11-09T15:22:04","date_gmt":"2024-11-09T14:22:04","guid":{"rendered":"https:\/\/caminaktion.eu\/hypeocc-dansesurbaines\/"},"modified":"2024-11-16T15:49:47","modified_gmt":"2024-11-16T14:49:47","slug":"hypeocc-dansesurbaines","status":"publish","type":"page","link":"https:\/\/caminaktion.eu\/en\/hypeocc-dansesurbaines\/","title":{"rendered":"HYPE OCC Urban Dances 2.0"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.2″ _module_preset=”default” background_image=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blaster-seul.jpg” parallax=”on” max_width=”100%” module_alignment=”center” height=”1000px” max_height=”119px” max_height_tablet=”172px” max_height_phone=”119px” max_height_last_edited=”on|tablet” custom_padding=”0px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” module_alignment_tablet=”center” module_alignment_phone=”left” module_alignment_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/HYPE-OCC-blanc.png” title_text=”HYPE OCC blanc” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”4.27.2″ _module_preset=”default” background_enable_image=”off” custom_margin=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”

Continuous screening<\/span><\/p>” content_phone=”

Continuous screening<\/span><\/p>” content_last_edited=”on|desktop” _builder_version=”4.27.3″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}”]

Continuous screening<\/span><\/p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”-50px||||false|false” custom_margin_tablet=”-50px||||false|false” custom_margin_phone=”-50px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Urban dances 2.0<\/strong><\/h3>[\/et_pb_text][et_pb_text _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”-30px||||false|false” global_colors_info=”{}”]

A world tour of urban dances on social media<\/span><\/strong><\/p>[\/et_pb_text][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/Photomontage-scaled.jpeg” title_text=”Photomontage” show_in_lightbox=”on” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text content_tablet=”

Naming a dance style is never easy, especially when it represents a specific, non-academic aesthetic that emerges at a particular time and within a given sociocultural context.<\/p>\n

%22Urban dance%22 is often used to describe dances originating from hiphop culture, but this term is broader\u2014it includes other styles not necessarily tied to hiphop: House dance, Electro, Electric Boogaloo, and Waacking are close to hiphop rooted dances, though not directly stemming from them, and often borrow vocabulary from what is classified as %22hiphop.%22 Additionally, generic terms tend to lump together dances that may %22look alike%22 without recognizing their distinct identities, qualities, or names.<\/p>\n

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With the upcoming interactive dance conference Dances and Struggles<\/strong><\/em><\/a> by Bouziane Bouteldja (Sunday, December 8), highlighting dances that arise from population displacement and social struggles for freedom, we wanted to focus on dances that emerged in well-defined urban and peri-urban contexts but have become global phenomena thanks to our mobility and the power of social media. We invite you to explore these dances, perhaps for the first time, to differentiate them, understand their origins and contexts (so you\u2019ll be well-prepared for the dance conference the next day!).<\/p>\n

Social media has become a vital medium for spreading social dances, a 2.0 stage, responding to a desire to share, display one\u2019s style and swagger. For some, it\u2019s even a source of income, with immediate access requiring %22just%22 a smartphone and internet. This medium allows dance to spread without needing validation from a curator. Users find a \u201cstage\u201d here, offering exposure in areas lacking cultural infrastructure, particularly in the Global South. This demonstrates that dance, art, and culture are practiced everywhere, by everyone, and are not confined to official and institutional labels. While we can’t ignore the downsides of these platforms (addiction, commodification of posts, lack of differentiation, algorithm dynamics), we\u2019ve compiled videos here that reflect this global trend.<\/p>\n

One prominent phenomenon in globalized dance is Afro-urban dance styles. These encompass a range of dances influenced by traditional African dance yet evolve in an urban, contemporary setting. Rooted in diverse African cultures, they\u2019re now practiced worldwide, largely thanks to media, social networks, and popular music influences.<\/span><\/p>\n

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Naming a dance style is never easy, especially when it represents a specific, non-academic aesthetic that emerges at a particular time and within a given sociocultural context.<\/span><\/p>\n

%22Urban dance%22 is often used to describe dances originating from hiphop culture, but this term is broader\u2014it includes other styles not necessarily tied to hiphop: House dance, Electro, Electric Boogaloo, and Waacking are close to hiphop rooted dances, though not directly stemming from them, and often borrow vocabulary from what is classified as %22hiphop.%22 Additionally, generic terms tend to lump together dances that may %22look alike%22 without recognizing their distinct identities, qualities, or names.<\/span><\/p>\n

\n

With the upcoming interactive dance conference Dances and Struggles<\/strong><\/em><\/a> by Bouziane Bouteldja (Sunday, December 8), highlighting dances that arise from population displacement and social struggles for freedom, we wanted to focus on dances that emerged in well-defined urban and peri-urban contexts but have become global phenomena thanks to our mobility and the power of social media. We invite you to explore these dances, perhaps for the first time, to differentiate them, understand their origins and contexts (so you\u2019ll be well-prepared for the dance conference the next day!).<\/span><\/p>\n

Social media has become a vital medium for spreading social dances, a 2.0 stage, responding to a desire to share, display one\u2019s style and swagger. For some, it\u2019s even a source of income, with immediate access requiring %22just%22 a smartphone and internet. This medium allows dance to spread without needing validation from a curator. Users find a \u201cstage\u201d here, offering exposure in areas lacking cultural infrastructure, particularly in the Global South. This demonstrates that dance, art, and culture are practiced everywhere, by everyone, and are not confined to official and institutional labels. While we can’t ignore the downsides of these platforms (addiction, commodification of posts, lack of differentiation, algorithm dynamics), we\u2019ve compiled videos here that reflect this global trend.<\/span><\/p>\n

One prominent phenomenon in globalized dance is Afro-urban dance styles. These encompass a range of dances influenced by traditional African dance yet evolve in an urban, contemporary setting. Rooted in diverse African cultures, they\u2019re now practiced worldwide, largely thanks to media, social networks, and popular music influences.<\/span><\/p>\n

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” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”]

Naming a dance style is never easy, especially when it represents a specific, non-academic aesthetic that emerges at a particular time and within a given sociocultural context.<\/p>\n

“Urban dance” is often used to describe dances originating from hiphop culture, but this term is broader\u2014it includes other styles not necessarily tied to hiphop: House dance, Electro, Electric Boogaloo, and Waacking are close to hiphop rooted dances, though not directly stemming from them, and often borrow vocabulary from what is classified as “hiphop.” Additionally, generic terms tend to lump together dances that may “look alike” without recognizing their distinct identities, qualities, or names.<\/p>\n

\n

With the upcoming interactive dance conference Dances and Struggles<\/strong><\/em><\/a> by Bouziane Bouteldja (Sunday, December 8), highlighting dances that arise from population displacement and social struggles for freedom, we wanted to focus on dances that emerged in well-defined urban and peri-urban contexts but have become global phenomena thanks to our mobility and the power of social media. We invite you to explore these dances, perhaps for the first time, to differentiate them, understand their origins and contexts (so you\u2019ll be well-prepared for the dance conference the next day!).<\/p>\n

Social media has become a vital medium for spreading social dances, a 2.0 stage, responding to a desire to share, display one\u2019s style and swagger. For some, it\u2019s even a source of income, with immediate access requiring “just” a smartphone and internet. This medium allows dance to spread without needing validation from a curator. Users find a \u201cstage\u201d here, offering exposure in areas lacking cultural infrastructure, particularly in the Global South. This demonstrates that dance, art, and culture are practiced everywhere, by everyone, and are not confined to official and institutional labels. While we can’t ignore the downsides of these platforms (addiction, commodification of posts, lack of differentiation, algorithm dynamics), we\u2019ve compiled videos here that reflect this global trend.<\/p>\n

One prominent phenomenon in globalized dance is Afro-urban dance styles. These encompass a range of dances influenced by traditional African dance yet evolve in an urban, contemporary setting. Rooted in diverse African cultures, they\u2019re now practiced worldwide, largely thanks to media, social networks, and popular music influences.<\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_tablet=”

Saturday December 7, 2024<\/strong><\/span><\/p>\n

Continuous screening starts at 5 PM<\/strong><\/span><\/p>\n

Th\u00e9\u00e2tre d’O<\/strong><\/span><\/p>\n

The theater bar will be open for refreshments, snacks, and dinner before the evening performances.<\/span> <\/span><\/p>\n

Free entry.<\/strong><\/span><\/p>” content_phone=”Saturday December 7, 2024<\/strong><\/span>\n\nContinuous screening starts at 5 PM<\/strong><\/span>\n\nTh\u00e9\u00e2tre d’O<\/strong><\/span>\n\nThe theater bar will be open for refreshments, snacks, and dinner before the evening performances.<\/span> <\/span>\n\nFree entry.<\/strong><\/span>” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”160px||||false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|desktop” global_colors_info=”{}”]

Saturday December 7, 2024<\/strong><\/span><\/p>\n

Continuous screening starts at 5 PM<\/strong><\/span><\/p>\n

Th\u00e9\u00e2tre d’O<\/strong><\/span><\/p>\n

The theater bar will be open for refreshments, snacks, and dinner before the evening performances.<\/span> <\/span><\/p>\n

Free entry.<\/strong><\/span><\/p>[\/et_pb_text][et_pb_image src=”https:\/\/caminaktion.eu\/wp-content\/uploads\/2024\/11\/PMR-dynamique-noir.png” title_text=”PMR dynamique noir” _builder_version=”4.27.2″ _module_preset=”default” max_width=”16%” global_colors_info=”{}”][\/et_pb_image][et_pb_text content_tablet=”

Connected program:<\/strong><\/p>\n

Interactive dance conference Dances and struggles<\/strong><\/em><\/a> with Cie Dans6T, Sunday December 8 at 2:30 (Halle Tropisme), followed by an open dance floor with DJ S!D with dancers from diverse cultural backgrounds\u2026 plus a showcase featuring the junior company from the #JeSuis program!<\/p>” content_phone=”

Connected program:<\/span><\/strong><\/p>\n

Interactive dance conference Dances and struggles<\/strong><\/em><\/a> with Cie Dans6T, Sunday December 8 at 2:30 (Halle Tropisme), followed by an open dance floor with DJ S!D with dancers from diverse cultural backgrounds\u2026 plus a showcase featuring the junior company from the #JeSuis program!<\/span><\/p>” content_last_edited=”on|desktop” _builder_version=”4.27.3″ _module_preset=”default” background_color=”#FF9F85″ custom_padding=”5px|5px|5px|5px|false|false” border_width_all=”1px” border_color_all=”#FF1D25″ global_colors_info=”{}”]

Connected program:<\/span><\/strong><\/span><\/p>\n

Interactive dance conference <\/span>Dances and struggles<\/span><\/a> <\/em><\/strong>with Cie Dans6T, Sunday December 8 at 2:30 (Halle Tropisme), followed by an open dance floor with DJ S!D with dancers from diverse cultural backgrounds\u2026 plus a showcase featuring the junior company from the #JeSuis program!<\/span><\/span><\/p>\n

<\/span><\/p>[\/et_pb_text][et_pb_text content_tablet=”

Photo de gauche \u00a9 Clem Onojeghuo sur Unsplash. <\/span>Photo de droite @ Random Institute sur Unsplash<\/span><\/p>” content_phone=”

Photo de gauche \u00a9 Clem Onojeghuo sur Unsplash. <\/span>Photo de droite @ Random Institute sur Unsplash<\/span><\/p>” content_last_edited=”on|phone” _builder_version=”4.27.3″ _module_preset=”default” custom_margin=”100px||||false|false” global_colors_info=”{}”]

Photo on the left \u00a9 Clem Onojeghuo on Unsplash. <\/span>Photo on the right @ Random Institute on Unsplash<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

A compilation of fresh urban dance, gathered on social media: a portrait of what is going on worldwide, in the field of “urban dance”.<\/p>\n","protected":false},"author":1,"featured_media":43824,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"HYPE OCC : Urban Dances 2.0","_seopress_titles_desc":"A compilation of fresh urban dance, gathered on social media: a portrait of what is going on worldwide, in the field of \"urban dance\".","_seopress_robots_index":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-44443","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/comments?post=44443"}],"version-history":[{"count":10,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44443\/revisions"}],"predecessor-version":[{"id":45269,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/pages\/44443\/revisions\/45269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/media\/43824"}],"wp:attachment":[{"href":"https:\/\/caminaktion.eu\/en\/wp-json\/wp\/v2\/media?parent=44443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}